Posts Tagged ‘Wisdom’

The Ent

 

 

 

Ents, also known as talking trees, are rarely encountered and its a great privilege to actually see or talk with one.

Oracular Trees are attributed with the ability to speak to individuals, especially those gifted in divination. In particular, Druids were said to be able to consult Oak trees for divinatory purposes, as were the Streghe with Rowan trees.

 

The word “Ent” was taken from the Anglo-Saxon (Old English) word ent, meaning “giant”. Ents are probably the most ubiquitous of all creatures in fantasy and folklore, perhaps second only to dragons, most famously known now as the Ents in J. R. R. Tolkien’s Middle-earth stories.

 

Perhaps not quite Ents, but the Cad Goddeu (The Battle of the Trees) medieval Welsh poem preserved in the 14th-century manuscript known as the Book of Taliesin refers to a traditional story in which the legendary enchanter Gwydion animates the trees of the forest to fight as his army. The poem is especially notable for its striking and enigmatic symbolism and the wide variety of interpretations this has occasioned particulalry by Robert Graves in his book The White Goddess.

 

I made a short animation based on the Cad Goddeu –

Taliesins Battle Of The Trees;

 

In Ireland a tree may help a person look for a leprechaun’s gold, although it normally does not know where the gold is.

According to Greek mythology, all the trees in the Dodona (northwestern Greece, Epirus) grove (the forest beside the sanctuary of Zeus) became endowed with the gift of prophecy, and the oaks not only spoke and delivered oracles while in a living state, when built into the ship Argo the wood spoke and warned of approaching calamities.

The rustling of the leaves on an Oak tree was regarded as the voice of Zeus.

 

The Greek Talking Elm: Philostratus spoke about two philosophers arguing beneath an elm tree in Ethiopia which spoke up to add to the conversation.

 

The Indian Tree of the Sun and the Moon: Told the future. Two parts of the tree trunk spoke depending on the time of day; in the daytime the tree spoke as a male and at night it spoke as a female. Alexander the Great and Marco Polo are said to have visited this tree.

 

In Hugh Lofting’s 1928 novel Doctor Dolittle in the Moon, the lunar flowers and trees are intelligent and capable of communication by using scents, the sounds of wind through branches, etc.

 

Imbued with Earth wisdom gathered over their very long life spans, the Ent is a friend to consult on all serious matters, but dont expect a hasty answer for as J.R.R.Tolkien explains of the Ent “My name is growing all the time, and I’ve lived a very long, long time; so my name is like a story. Real names tell you the story of the things they belong to in my language, in the Old Entish as you might say. It is a lovely language, but it takes a very long time to say anything in it, because we do not say anything in it, unless it is worth taking a long time to say, and to listen to.”

 

 

 

Blessed Be the Ent and Ent Friends xx ~

Narration Of The Gnome

 

This is the tale of the Wizard Gnome,

Much misunderstood in the whispering gloam,

He tends to the Earth, where we make our home,

Seldom seen for he wanders alone.

This is a glimpse into sights Unknown….


Invisible is not a lack of sight, but lack of some perception,

Thus by dreaming-gaze and see, ethereal ethers conception,

Conjured beyond the boundaries of consciousness reception,

A vision, of infinite inter connection….


I request the people to come forth –

The people of the Wave and Earth and Air –

In a right-ways motion opening,

Apotheosis spirit fair –


To the creatures called the minerals, shining clear and glowing bright,

I gather Cosmic Energies to weave into this night –

To the creatures called the plant forms, growing green into the dance,

I gather for the learning, none more to the point- advance –


Gentle be and beautiful see,

In Hollows, Hills and Flowers,

In Stones and Springs and Lakes and Rain,

We will discover Powers….


Long mankind assigned to Gnome dark treasure hording plight,

Plundered Earth to seize it all to own and keep with might,

Long mankind has split them both, the kin of light and life,

Forsook fair ways of kindness for a secret trove of strife.


With sorcery and skill of Wizard,

A Convocation gathers –

In mystery and wonder thee,

Heart wisdom all that matters.


Gnome’s message for the telling, twilight time is here,

The Universe sends Blessing, Vibrations, Energy, Sheer…

The Wisdom of the Universe through gift of Second Sight,

The treasure of Earth’s crystals, to amplify your hearing, right.


Beneath the Sun and Moon and Stars,

Beyond the woods and mountains climbing –

Within the circles of the Earth,

A Mystic power is rising –


From moonbeams woven magics, and starlight of the skies,

electro-magnetic-missives, consecrated, wise,

From allies of your Ancient times the message here implies,

The treasures that you’r seeking are right before your eyes.


Sacred springs sing a song,

And travelling clouds do bring it,

Across the speckled gateway,

The pathway to within It.


A caution here to Earth-dwellers from dreamers of the Moon,

To the diggers of the deepness for resources reckless tune,

To the farmers of each other for some imaginary boon…

A reminder of the Harmony, lest end come all to soon.


I sorcerize the land and stones,

and lifekind all about –

With pece and joy, eternity –

With never any doubt.


To the Tree-eaters, Bee-beaters and genetically contrived,

Oil seekers, Earth reapers and otherwise deprived,

To the Old faith and the New faith that seekers have applied,

Portals of perception are here for you, Arrived.


By the blessing of both far tides,

And the nearness of the Now –

Set aside all such missguides,

Let the light shine from your brow –


Such were the words of the Wizard Gnome,

The mysterious truth – a stepping stone.

To enter into their magickal places.

Look beyond sight to your inner spaces –


Deep Peace of Wave and Earth and Air,

Your Blessing found is everywhere –

 

 

 A Guide for The Perplexed

 The Wizard Gnome here sets forth both a guide for people to access the higher frequencies, to open to an awareness of the other realms coexisting with us on the Earth, along with a timely caution against the consequences of an unrestrained and predatory commercial materialism for the individual spirit concerned and Earths Ecosphere as a whole.

Of particular relevance to any modern perceiver of Gnome wisdom, the caution of the Gnome’s narration is about neglecting care and kindness to the Earth at our own peril, of energy imbalances and overloading of magnetic fields causing ill health to the Earth and its ecosphere, which in turn closes down our portals of perception and understanding, further reducing our capability to change. Such factors as the desecration of the unique biological diversity of Earth species, as is the case for many Trees, Bees and Butterflies for example, both a crucial signifier of how far mankind has strayed from a cooperative concord with our Earth-Nature, the source of our physical selves and has further consequences such as the eventual collapse of the life sustaining systems which relied on these co-residents to oxygenate, pollinate and in countless other ways generate the world as we know it. Should some among human kind hope to follow them, the pathways to the higher realms are not paved with asphalt and ashes like some modern Mordoor of doom, nor sold by the meter, liter or beaker only to those who can afford, but are to be found within the organic-spiritual harmony of lifekind freely shared, the communal birth right of all who dwell upon the Earth. The pathways to the higher realms are congruent upon and found within the synergistic symphony of Cosmic energy as united in one great song of celebration, which is the vibration of life and delight.

The call itself is simple, seek within – find your spiritual center and look forth from this vantage point with new eyes already equipt to see the blessings that Universe and Eternity have bathed us in, become the change and once you have understood it – share the message.

 

About The Gnome;

A Gnome is an Elemental being or spirit of energy and as such they are commonly invisible to the average person, only those that utilize second sight can see them clearly, thus they symbolize the magical realms they inhabit of the world outside the boundaries of human consciousness; although they cherish the Earth, they are already beyond the threshold of the physical. Many believe the various forms of the Elementals come from a different realm, traveling between our realm and theirs at their leisure through energy portals where there is an overlaping of realms (possibly located at ley line junctions or electro magnetic focus points such as ancient stone circles) and were once more prevalent upon the physical Earth, thus the origins of myth and legends. Accordingly, Quantum Physics theories now propose that there are an infinity of parallel universes much like our own and the conjecture is that in some of these universes creatures who are merely fable and mythology here, still exist there. The name ‘Gnome’ itself comes from the Latin word ‘gnoma’ which means ‘Knowledge’ as in ‘gnomic poetry’ which is comprised of aphoristic verses that contain short, memorable statements of traditional wisdom and morality. Some say that this name was given to them by the medieval scholar Paracelsus who deduced of their existence in his alchemical and metaphysical extrapolations.

Known as guardians of treasure hidden deep within the Earth, Gnomes are guardians not only of the Earth and Earth minerals such as crystals, but also of the plant forms, specifically they tend to the roots of the plants.

Plant forms receive direct transmissions of ethereal energy from the Cosmos and through their roots they feed these powers into the Earth where Gnomes collect them as spiritual information to store in crystals for further distribution to heal Energy field imbalances and so help Earth-kind to develop along the higher evolutionary pathways.  

Thus the Gnomes are actually the bearers of the ideas of the universe and  the crystals with which they are associated are merely amplifiers to aid others such as human beings to receive these ideas and energies.

Such Cosmic energy or knowledge is subtle, powerful and direct, when Gnomes receive this information they obtain immediate understanding and wisdom. Having gathered countless numbers of such energy transmissions over the millenia, Gnomes are therefore very compassionate creatures and may aid simpler creatures, including human beings, if they are kind of heart, honest in manner and considerate of nature. If you have been aided by a Gnome you will probably receive a crystal or gemstone, although because Gnomes exist outside of our usual perceptive parameters, the gift will likely be expressed through a human friend. Alternately they may arrange for you to find the crystal by serendipitous means.

Some whispered legends claim that the predecessors of the Earth-Gnomes are the Moon-Gnomes, who in times beyond measure gathered together their Moon-dream-experiences and fashioned the Earth from them, but whether this is meant allegorically or upon a different level of reality, I cannot be sure. Gnomes are however nocturnal beings and sensitive to the influences of the moon.

If you wish to invoke a Gnome or seek its aid, you might go to an ancient wooded area where the energies have had decades to gather – naturally a full moon on a clear night is best for such procedures, and meditationally call to it as the Elemental guardian of the ages. Without prejudice or partisan particularities then present the cause which brought you thither and then wait with patience and an opened heart until the time of telling has peacefully passed. Do not expect any immediate or sudden materialization of your answer however, as the solution needed or new path to follow may take some time for a willing Gnome to arrange within the confines of our Earth bound existence.

Enter The Portals of Perception, See The Truth And Blessed Be ~

 

A Christmas Carol

.

To share a slightly different outlook on the Christmas Festival I wrote a short song modeled after Charles Dickens’ A Christmas Carol but inspired by the earlier Pagan traditions of the Season.

According to historian Ronald Hutton, the current state of observance of Christmas is largely the result of a mid-Victorian revival of the holiday spearheaded by Dickens’ Christmas Carol. Hutton argues that Dickens reconstructed Christmas as a family-centered festival… in contrast to the earlier community (and church)-based observations which had dwindled during the late 18th and early 19th centuries.
Most of our actual British Christmas customs the tree, the turkey, the stocking, the cards and Santa Claus have only appeared since 1840.

This season was always however a time for community, charity and sharing, as the poorest, oldest and feeblest members of a community would become physically vulnerable to hunger and cold. Their morale would take a further dent if they saw their neighbors making merry all round them and were unable to share in any of it. If they then died, this would not be good for the consciences of their survivors; if they lived, they could bear nasty grudges. Hence, from the time that evidence survives, midwinter was a great time for the giving of food, drink or money to the less fortunate. In the Middle Ages people known as Hogglers or Hognels would often volunteer to collect and distribute them. In addition, poor women and children would go from door to door asking for such gifts, a custom known, according to your region, as Thomasing, Gooding or Mumping. The fitter men from the poorer families would visit their wealthier neighbours with plays, dances or songs, and earn the goodies in return; that is why customs such as mummers’ plays, sword dances and carols are so important at this time. So when your doorbell rings and you find a choir yelling ‘Good King Wenceslas’ outside while a collector holds out a tin for a good cause, you are sharing in (a tradition)… thousands of years old.
(Ronald Hutton, Stations Of The Sun)

Whilst the trappings of the modern Christmas are relatively recent, this festive season has been celebrated since history began.
In Ancient Northern Europe the mid-winter Solstice (between 20th/23rd of December) was called ‘Modranicht’ or ‘Earth Mother’s Night’ and as the shortest day of the year it effectively represents the turning point of the season.
In Northern Europe the winter festival was called the Yule (Juul). As the people thought the Sun stood still for twelve days in the midwinter, plunging Mother Earth and all her growing things into the dark, coldness of death, it was thought that spring could not come without their celebration of midwinter.
More on the Yuletide here.

Of Father Christmas, mythologist Helene Adeline Guerber suggests the Northern traditions indicate Santa as the Norse god Thor. Contrastingly from Iceland the Poetic Edda and Prose Edda poems
describe Odin as riding an eight-legged horse named Sleipnir (Santa originally had eight reindeer, Rudolph was nine) .
More on the origins of Santa Claus here.

Further, that the three greatest Neolithic monuments of Ireland, Scotland and England the massive tombs of Newgrange and Maes Howe, and Stonehenge itself are all aligned on the midwinter sunrise or sunset, shows how important this festival was even in the Stone Age.

With an eye to current world affairs and the rise of Global Corporatism, I have included a protestors scene, with a call to Occupy Christmas as an opportunity to reconsider what the festival may mean now.


✻ ✼ ❄ ❅ ❆ ❇ ❈ ❉ Occupy Christmas ✻ ✼ ❄ ❅ ❆ ❇ ❈ ❉
to learn about the causes of Occupy I recommend Naomi Klein’s Shock Doctrine
.
I replaced Dickens’ Ghosts of Christmas Past, Present and Future with a mischievous Jack Skellington as Sandy Claws who finally gets his Christmas mission right, after a fashion), and instead of the more usual three visits through time in the life of Ebeneezer Scrooge, my character ‘Scourge’ is given 3 visions instead, to the Three Realms of Celtic mythology;

The Celtic view of the Otherworld consisted of three distinct realms, these being Sea, Land and Sky, their counterparts being Underworld, Earth and Otherworld.

Tir Andomain, Realm of The Underworld and the Sea.
This is the realm of the Ancestors and Gods and Goddesses responsible for the cycle of life, death and rebirth, the realm of the past.

The Meath, Realm of the Land (Earth) represents the present and the physical. We are beings of this realm that we share with the animals and the nature spirits.
Here we see the poverty of Dickens’ London as families live in sheds and children carol sing not for pocket money or treats but for essential foods.

The Magh Mor, Realm of Sky and the Otherworld.
This is where most of the Gods and Goddesses dwell, the realm of the future and the place that grants inspiration, creativity and wisdom. The realm of sky is the pathway of the Sun, Moon and constellations, as well as the wind and weather. Many Gods and Goddesses have influence in all three realms, just as the Land has it’s influence on the other two realms; caves, burial mounds, wells and springs are entrances to the underworld, while trees which exist in our realm are viewed as linking all three together. Represented here as a Celtic Afterlife peopled by Four Elemental Spirits of Air, Fire, Earth and Water.

As Air; Dian Cecht, Psychic Guardian and Healer of the Tuatha Dé Danann ~ The Hawthorn was a symbol of psychic protection due to its sharp thorns. Spirits were believed to dwell in Hawthorn hedges, which were planted as protective shrubs around fields, houses and churchyards. The Goddess Brighid was also associated with the Hawthorn, which is one tree which has managed to breach the divide between Paganism and Christianity and Dian Cecht was Brigid’s male counterpart.Hawthorn individuals are represented by a Masculine polarity and the color purple.

As Fire; Aibheaog is an Irish deity who represented fire, and yet she had a magical well which promoted healing. She is associated with wells and the number 5. Rules Over: Healing, Midsummer well rituals.

As Earth; Cernunnos. Although Cernunnos is a Gaulish horned god, his worship was widespread in the Celtic era, and he was venerated over the channel in Britain in various similar forms.
In appearance he had stag antlers sprouting from his head, wore a torc around his neck, and was depicted with a ram headed serpent. He may have been seen as lord of the animals, and the spirit of the woods, a powerful archetypal nature spirit and male partner of the earth mother. Later, in Christian times his image was transposed on to that of the Devil, who also appeared with horns.

As Water; Coventina, a Celtic river goddess known for healing, also associated with renewal, abundance, new beginnings, life cycles, inspiration, childbirth, wishes and prophecy. In worship to her coins and other objects were tossed into the wells as offerings for sympathetic magick. These wells represent the earth womb, where the Celts felt her power could be most strongly felt. Her symbols are the cauldron, cup, water, coins, broaches and wells. From Scotland comes her association with the underworld, where she was the Goddess of featherless flying creatures which could pass to the Otherworld. Being a river goddess she is connected the ebb and flow of time.

With a hope that this film may remind us to think of more than just family gatherings and presents, that it may be a magical time to think with our hearts and consider the wider picture.
To focus upon the whole rather than any portion, to live more meaningful lives, we may honor these the Three Realms and each-other throughout our daily lives.

A Yuletide Carol by celestialelff

Tis the Modranhit of Midwinter,
To the Three Realms we will go,
Through the portal to Tir Andomain,
Through the Silence beneath the Snow.

Deep within the center,
With the Ancestors in the past,
See the Joy of their Yuletide,
Beyond Time’s Oceans Vast.

The Rising of the Sun,
The Running of the Year,
The Setting of the Sacred Moon,
And the Circle is ever clear.

And look now upon the Earth Realm,
To the Meath beneath the Sky,
See the people in their families,
From their community awry.

Hear the Thomasing and the Gooding,
And the Mumping of the Children,
Both Ignorance and Want do Cry Out,
No more Cup Of Memory here….

The Rising of the Sun,
The Running of the Year,
The Setting of the Sacred Moon,
And the Circle now Draws Near….

Come beyond now to the Magh Mor,
Beyond the graveyard in the Sky,
To the Afterlife of the Otherworld,
Once again the Joy does fly…

Be Blessed then by this Vision,
Of the Three Realms you have made,
Join the Circle of your past life,
To your Future, Present saved…..

The Rising of the Sun,
The Running of the Year,
The Setting of the Sacred Moon,
And the Circle has come Here.

c Celestial Elf 2011.

Merry Christmas!

The Song Of Amergin, A Samhain Story


King Arthur having recovered Bran The Blessed’s  talking Head, will bring this head to a Samhain gathering where Bran will recite The Song of Amergin to the assembled gathering.

On The Song of Amergin, 
The Song of Amergin is an ancient Celtic poem
which speaks of the origin of the Universe, the nature of the Gods and the path to Wisdom.
Taken from The Irish Book of Invasions first written down in the early medieval period, this poem is attributed to Amergin (Irish;Amhairghin) chief Bard and Druid of the Milesians.


Long after the magical Tuatha Dé Danann, the Faerie Clan who were considered as Gods, had established their kingdom in ancient Ireland or Éire, a new
invasion took place and the first
Gaelic people arrived.
The Tuatha Dé Danann’s High King, The Dagda, invoked his powers to repel the strangers, he sank their ships and prayed to the winds to keep them out.
They landed however and Amergin sang a poem of thanks, aligning himself with the powers of the Land. Through his Awen (poetic inspiration) he became the elements and the Cosmos, charging them with his flowing spirit and limitless understanding, he overcame all obstacles and his people took guardianship of the Land.

& How Graves Reveals A Dolmen Stone Alphabet;
Robert Graves has said that ‘English poetic education should really begin not with Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin
By answering a series of  riddles in an ancient Welsh ‘Book of Taliesin‘, Robert Graves first uncovered ‘The Battle of the Trees’. This was a poetic ‘battle’ apparently charged with the purpose of preserving the hidden Druidic knowledge of a secret tree alphabet or Ogham, from the uninitiated during a time of cultural upheaval as the newly arrived Christianity sought to replace the earlier pagan and Druid traditions.
Then considering its Irish poetic counterpart ‘The Song of Amergin’, Graves discovered the use of a similar alphabet that also operated as an ancient Celtic calendar.  

By strictly adhering to the poem’s structure, Graves worked out the proper sequence of the Irish alphabet, which was then comprised of 13 consonants and five vowels. (It is only later that it grew to 15 consonants).
The clue to the arrangement of this alphabet is found in Amergin’s reference to the dolmen,’ says Graves. “It is an alphabet that bests explains itself when built up as a dolmen of consonants with a threshold of vowels.

Dec 24-Jan. 20 B
I am a stag of the seven tines, (Birch/Beth) 

Jan. 21—Feb. 17 L
I am a wide flood on a plain, (Rowan/Luis)

Feb. 18—Mar. 17 N
I am a wind on the deep waters, (Ash/Nion)

Mar. 18-Apr. 14 F
I am a shining tear of the sun, (Alder/Fearn)


Apr. 15-May 12 S sun,
I am a hawk on a cliff, (Willow/Saille)

May 13-Jun. 9 H
I am fair among flowers, (Hawthorn/Uath)

Jun. 10-July 7 D
I am a god who sets the head afire with smoke, (Oak/Duir)

July 8-Aug. 4 T
I am a battle-waging spear, (Holly/Tinne)

Aug. 5-Sept 1 C
I am a salmon in the pool, (Hazel/Coll)

Sept. 2-Sept. 29 M
I am a hill of poetry, (Vine/Muin)

Sept. 30-Oct. 27 G
I am a ruthless boar, (Ivy/Gort)

Oct. 28-Nov. 24 NG
I am a threatening noise of the sea, (Reed/Ngetal)

Nov. 25-Dec. 22 R
I am a wave of the sea, (Elder/Ruis)

Dec. 23
Who but I knows the secrets of the unhewn dolmen?

Poem by Amergin, Translation From The White Goddess, by Robert Graves.

http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F24924435  The Song Of Amergin by celestialelff

Graves maintains that the architectural structure of the Dolmen with its horizontal capstone resting above two upright stone pillars, served as teaching tool for Druid priests on which the Irish alphabet was superimposed in sequential form on three separate slabs.
So for example starting upwards from the bottom left of the first stone are the letters B, L, N, and F. On the capstone from left to rights are the letters S, H, D, T and C. Descending downwards on the right pillar are the remaining consonants, M, G, NG, and R. Hidden below this stone formation thus reflecting the Celtic belief, ‘As above, so below,’ are placed the threshold of vowels, A, O, U, E and I.

Thus this alphabet Dolmen may serve as a calendar, with one post for Spring, another for Autumn, the lintel for Summer, the threshold for New Year’s Day.    
                                           

                                                                                   

                                     

                                                                             

                                                                                 

Of Graves Dolmen Ogham, Merlin and Stonehenge;
Graves’ revelation of the dolmen being used as teaching model for the Irish alphabet makes the myth of Merlin transporting the stones of Stonehenge from Ireland to Salisbury enormously intriguing.
Perhaps the stones he ferried were more of a stone alphabet like runes. If so, there is a strong possibility of a similar alphabet in use at Stonehenge and this might also explain the legend of Merlin’s alleged role in its construction..

William Blake. Jersualem.

                                                                                                        
Taking Grave’s analysis of the Song of Amergin a step further, the final riddle, ‘Who but I knows the secrets of the unhewn dolmen?’ raises questions about whether Stonehenge could be ‘read’ like a book.
Graves suggests that much like Braille, the dolmen’s dimples, indented grooves and angles are an essential part of reading the alphabet and hence the stone.

example 1. Ogham stone.

example 2. Ogham text.

                                                                    
”If one Dolmen can be used as a teaching tool on which the Irish alphabet was placed, could not an entire circle of stones tell a tale?
If it were possible, we can surmise that it could be a revelatory, almighty epic”. ( Munya Andrews )

                                                                     

                                                                         
Of Bran The Blessed;
Brân the Blessed (Bendigeidfran, the ‘Blessed Raven’) was a central figure in The Mabinogion, counted as Britain’s greatest champion before King Arthur and one of the ‘Three Blessed Kings of Britain’ according to the ancient Triads.
He was also Guardian of a magical Cauldron of Knowledge and Rebirth from the Goddess Cerridwen.
There is an ancient Celtic tradition about Cauldrons of rebirth, into which wounded, dead or dying soldiers were plunged, and came out healed and reborn.

Several scholars have also noted similarities between Brân and the Arthurian character of the Fisher King, keeper of the Holy Grail which also bestowed health, healing of wounds and disease upon its bearers. Further conjecture suggests that Cerridwen’s cauldron is in in fact the Holy Grail for which King Arthur spent his life searching as noted in Taliesin’ poem, the ‘Spoils of the Annwfn
                                                                               
                              
Following a conflict over Bran’s sister Branwen,(the White Raven) after her wedding to the Irish King Matholwch (the Bear), Bran offers him reconciliation in the form of his Cauldron. However Matholwch mistreats Branwen in Ireland and she sends word for Bran to rescue her. On their arrival the Irish offer peace but actually plot treachery and a vicious battle breaks out.

The result of the battle was very catastrophic, every Irish citizen but five pregnant women lay dead, and of the mighty armies of Bran, only seven men survived.

                                                                            
These men were instructed by the mortally wounded Bran to decapitate him and bear his head to Caer-Lundein (London) to bury it at Gwynfryn, the ‘White Mount’ (where the Tower of London now stands) to protect the Isle.
On their return voyage the men chanced to enter the Otherworld and for seven years the seven survivors (symbolic of the seven planets that regularly descend into the Underworld and then rise from it) stayed in Harlech, entertained by Bran’s head which taught them everything he had learned from the Goddess’ Cauldron, passing on his wisdom for all future generations.
That Bran, the Raven’s severed head was also capable of prophecy connects him with the ancient Celtic practice of augury, divination through bird flight.

The group set off again and land to spend a further 80 years outside of time, in a castle on Ynys Gwales, Grassholm Island off Dyfed, where they feasted in blissful forgetfulness and joy.
Eventually they take the head to the Gwynfryn, the ‘White Mount’ thought to be the location where the Tower of London now stands, and buried it facing France to ward off invasion.

According to the Welsh Triads, as long as Bran’s head remained in The White Tower facing France to ward off Saxon invasion, Britain would be safe from invasion, which it was for many generations before it was dug up by the pious King Arthur. ‘Arthur disclosed the head of Bran the Blessed from the White Hill since he did not desire that this island should be guarded by anyone’s strength but his own’ – Welsh Triads.

King Arthur had declared that he needed no talisman to protect his own country and dug up Bran’s head as proof that he could perform the requirements himself.
Sadly, he did not succeed and internal political conflict led to his death and to the increase of Saxon settlements in Britain.

King Arthur Pendragon. 2011.

More recently and following the ancient prophecies and the Celtic belief in reincarnation, the returned King Arthur has reburied a symbolic Ravens skull at The White Mount, Tower Of London, in an effort to resurrect the protective power of Bran in these troubled times.

                                                                               

                                                                          

A footnote upon Samhain;
The night of Samhain (pr; SOW-in, SAH-vin, or SAM-hayne) marks one of the two great gates of the year; Beltane and
Samhain being the doorways that divide the year into Light and Dark.
Samhain  itself is a Gaelic word signifying the end of summer and begins at sunset October 31.
This is believed by many to be a magical time when the boundaries between the worlds of the living and dead become thinner, allowing spirits and other supernatural entities to pass between them.

Traditionally, Samhain was a time to take stock of the herds and grain
supplies, to decide which animals would be slaughtered
for the people and livestock to survive the winter. Bonfires played a large part in the festivities celebrated down
through the last several centuries, and villagers were said to have cast the bones of the slaughtered cattle on the flames hence the name ‘bone fires’, some say these bones should then be ‘read’ for their prophetic powers.
With the community bonfire ablaze, the villagers extinguished all other fires.
Each family then solemnly lit its hearth from the common flame, thus
bonding the families of the village together.
The pagan Romans also identified Samhain with their own feast of the
dead, the Lemuria,(observed in the days leading up to May 13).With Christianization, the festival in November (not the Roman
festival in May) became All Hallows’ Day on November 1 followed by All
Souls’ Day, on November 2.
Over time, the night of October 31
came to be called All Hallow’s Eve, and the remnants festival dedicated
to the dead eventually morphed into the secular holiday known as
Halloween.

                                                                                  
However, historian and author Ronald Hutton points out that while medieval Irish authors do attribute a historical pagan significance to the Beltane
festival, they are silent in this respect in regard to Samhain,
apparently because no evidence of pagan ritual as a Northern European festival of the dead had survived into the
Christian period. According to Hutton, most of the popular myths about the origins of Halloween can be traced
back to two nineteenth century British authors: Sir John Rhys and Sir James Frazer (The Golden Bough) who speculated about connections between Halloween and
pagan Celtic rituals, but provided no valid evidence to back up their
claims. At the time they were writing, modern folk customs were
typically seen as remnants of prehistoric religious rituals which
survived among the common, uneducated country folk long after their
original purpose had died out.

Whilst historian Nicholas Rogers notes
that ‘some folklorists have detected its origins in the Roman
feast of Pomona, the goddess of fruits and seeds, or in the festival of the dead called Parentalia, by contrast Mr. Hutton claims it is more typically linked to and derived from the Catholic holidays of All Saints and All Souls Day. This festival began on All Hallows Eve (hallow is an archaic English word for
‘saint’) the last night of October, included a Church mass for the dead, torchlight processions and bonfires.
Objectively, Mr. Hutton does include the evidence for both of these latter in the earlier festivals.
Ronald Hutton, The Stations of the Sun: A History of the Ritual Year in Britian, Oxford University Press, 1996 (See the following
chapters: 35. Samhain, 36. Saints and Souls, 37. The Modern
Hallowe’en)


The ‘Surviving’ Samhain and Halloween Tradition;
Conjecture over other aspects of this festival and following extrapolations from Beltane, the other great turning point in the Celtic world, supports many peoples views that a commemoration of the deceased could indeed have been an ancient tradition as the people saw nature fall to decay so thoughts naturally turned to loved ones also passed away. Many customs were also established, such as the approaching time of darkness being regarded with suspicion and a need for protection by bonefires and charms. Gatherings were held and still are, feasts and gifts were shared, blessings were given and invoked and the presence of spirits traveling between worlds is felt, these traditions inform our belief and practice today.

In such a view, offerings may be made to welcome specific ancestors and a community’s beloved dead home, songs, poetry and dances can performed to entertain them.

The opening of door or window to the west lit with a candle or lamp is thought to aid their passage home and conversely candle lanterns carved with fearsome faces are placed in windows to ward off any unwelcome evil spirits abroad on this otherworldly night.

The custom of wearing costumes and masks, fancy dress or disguise has developed at this time and been considered an attempt to copy the spirits or to placate them. Such ‘Guising’ has been a part of Christmas and New Years Eve customs in Britain and
other parts of Europe since medieval times. By the nineteenth century
the practice had also become a feature of Halloween in Scotland and Ireland.
The practice of Trick-or-treating apparently originates in the late medieval practice of ‘Souling‘, when poor folk would go door to door on Hallowmas (November 1), receiving food in return for prayers for the dead on All Souls’ Day.

Sacred Samhain and Happy Hallowmas,
By Stone and Star
Celestial Elf ~

Taliesin’s Battle Of The Trees

I have set Taliesin’s Battle Of The Trees within two other pieces, firstly Tacitus’ report of the Roman invasion of the Druid island of Angelsey, followed by another poem from those by Taliesin which had been mixed in with The Battle of The Trees in a method of concealment to hide the poems meaning from those without understanding.

The Battle Of The Trees / Cad Goddeu ;

The tops of the beech tree have sprouted of late,
are changed and renewed from their withered state.

When the beech prospers, through spells and litanies,
the oak tops entangle, there is hope for the trees.

I have plundered the fern, through all secrets I spy.
Old Math ap Mathonwy knew no more than I.

For with nine sorts of faculty God has gifted me,
I am fruit of fruits gathered from nine sorts of tree–

Plum, quince, whortle, mulberry, raspberry, pear,
Black cherry and white, with the sorb in me share.

From my seat at Caer Fefynedd (Kire Fev-Un-eThh), a city that is strong,
I watched the trees and green things hastening along.

Retreating from happiness they would fein be set
In forms of the chief letters of the alphabet.

Wayfarers wander, warriors are dismayed,
at the renewal of conflicts such as Gwydion made.

Under the root of the tongue, a fight most dread,
and another raging, behind, in the head.

The alders in the front line began the affray.
Will and rowan tree were tardy in array.

The holly, dark green, made a resolute stand;
He is armed with many spear points wounding the hand.

With foot beat of the swift oak heaven and earth rung;
“Stout Guardian of the Door”, his name in every tongue.

Great was the gorse in battle, and the ivy at his prime;
The hazel was arbiter at this charmed time.

Uncouth and savage was the fir, cruel the ash tree–
Turns not aside a foot breadth, straight at the heart runs he.

The birch, though very noble, armed himself but late;
A sign not of cowardice but of high estate.

The heath gave consolation to the tail spent folk
The long enduring poplars in battle much broke.

Some of them were cast away on the field of fright
Because of holes torn in them by the enemy’s might.

Very wrathful was the vine whose henchmen are the elms;
I exalt him mightily to rulers of realms.

Strong chieftains were the blackthorn with his ill fruit,
The unbeloved whitethorn who wears the same suit.

The swift pursuing reed, the broom with his broad,
And the furse but ill-behaved until he is subdued.

The dower scattering yew stood glum at the fight’s fringe,
With the elder slow to burn amid fires that singe.

And the blessed wild apple laughing in pride
And the Borchan of Maeldrew, by the rock slide.

In shelter linger privet and woodbine,
Inexperienced in warfare, and the courtly pine.

But I, although slighted because I was not big,
Fought, trees, in your array on the field of Goddeu Brig.

translation from Robert Graves book The White Goddess;

The Book of Taliesin dates from the 14th C. and collected 56 of the oldest poems in Welsh, those attributed to the 6th C. poet Taliesin would have been composed in the Cumbric dialect of the north. The manuscript preserves a few hymns, a small collection of elegies and also enigmatic poems such as The Battle of Trees and The Spoils of Annwfn, in which the poet claims to have sailed to another world with King Arthur and his warriors.

The Battle of the Trees poem itself, whilst currently “pied” with approximately four other poems, is set during a war between Arawn King of Annwfn or the Underworld, and Amaethon a ploughman. This war is prompted by the latter’s theft of three magical creatures from the underworld, a dog who was the guardian of the secret, a white roebuck who hides the secret, and a lapwing who disguises the secret.
Regarding the secret powers possessed by these otherwordly creatures, it is said in the Triads:
there are three primary essentials of genius;
an eye that can see nature, a heart that can feel nature, and a boldness that dares follow it.

Druids taught in Triads or groups of three, which embodied the traditional Laws, Customs, and Wisdoms, of the ancient Celtic people, such as “Truth in heart, strength in arm, honesty in speech.” or “Three things not easily restrained, the flow of a torrent, the flight of an arrow, and the tongue of a fool.”

The poem famously details the legendary Gwydion‘s account of the trees of the forest which he enchanted to fight as his army against Arawan.
Within the ranks of Arawn’s forces were a number of mighty warriors, and one of these was invincible as long as his name remained a secret.
Gwydion the enchanter rightly guessed the secret name and won the battle saying these words:

Sure-hoofed my spurred horse,
On your shield Alder sprigs,
Bran is your name, Bran of the branches.

Sure-hoofed my horse of war,
On your hand are sprigs of Alder,
Bran you are, by the branch you bear.

However as Robert Graves explores in his book ‘The White Goddess’ the poem is particularly notable for its striking and enigmatic symbolism and the wide variety of interpretations this has occasioned.
Graves suggests that the trees in this poem correspond to the ancient Ogham alphabet, in which each alphabetic character represents a specific musical note, seasonal cycle, mythological tale and deity.
This method of association was a teaching aid in the letters and the trees associated with each, and its use in this poem was a poetic plea for the continuance of the use and teaching of this alphabet;
”This alphabet utilized thirteen consantants and five vowels. The consantants form the thirteen months of the annual cycle, while the vowels set forth the five year cycle of this Celtic calender. The letters/trees within the poem are not set in their proper order, I believe, in a further attempt to “encode” the information given in the poem so that only a person versed in this alphabet could utilize it.” Robert Graves.
Each tree had a meaning and significance of its own, and Gwydion guessed Bran’s name by the Alder branch Bran carried, the Alder being one of Bran’s prime symbols.

Graves thus argued that the original poet had concealed Druidic secrets about an older matriarchal Celtic religion for fear of censure from Christian authorities, that Arawn and Bran were names for the same underworld god and that the battle was probably not physical but rather a struggle of wits and scholarship: Gwydion’s forces could only be defeated if the name of his companion, Lady Achren (“Trees”), was guessed, and Arawn’s host only if Bran’s name was guessed.


Blessed Be /|\ ~

Stag Signs & their Co-Efficient Varietals~

“Horned Stag Run Through the Wood”

Horned stag run through the wood
The woods of gold and green
Lead us down the ancient path
To mysteries unseen

Horned stag run through the wood
The wood both new and old
Teach us of the ancient ways
Your wisdom to unfold.

(anon)

* * *

Many have heard of the Stag of Ritual and lore,
His wild & ‘Pagan’ derived ritualistic antics giving rise to the pre marital ‘Stag-Night’ perhaps..

But as with all signs, the story is a little more complex than of simple worship/petition of a life providing entity
(many early Northern Indo-European tribes subsisted on Deer and hunting, not unlike the traditional Laplanders today, before the advent of agriculture and tribal invasion of gentler climes )

In Celtic mythology, the Stag symbolizes Cernunnos or Herne the horned God, and the Celtic Underworld
(& as the Celtic people across Northern Europe embraced All of Life&Death as a Sacred Cycle, this was not considered a negative or fearful realm).
The Stag is also associated with the Druid’s Horned God of Fertility, Hu Gadarn , who was often represented with the head of a Stag & possibly through this link, also with The Green Man, the Celtic guardian of knowledge.

Interestingly, the Christian Theocracy,
although itself derived from earlier sources
(& historically keen to displace earlier forms of spirituality by denigrating them to the role of demonic or etc, aka the many local gods and tutelary spirits that were respectfully acknowledged by even the Roman invaders, who became ‘exiled’ as wicked fairies, evil imps and other assorted outcasts under the rising tide of ‘Church’ led and arguably Solipsistic Mono Theism …)
has developed a tradition of portraying their fallen angel as a ‘horned’ demon,
And of shunning association with pagan traditions such as those involving any with horns and the (formerly) ‘Sacred Stag’….

The Ancient traditions placed Antlers and the wearer of them, the ‘horned’ One in a very different context;
Whilst Deer represented the Pagan Symbol of Gentleness,
The Stag was naturally the masculine counterpart of The Deer, in his role as leader and protector of his herd (flock).
In this context, Antlers themselves represented the God in all wild creatures who give of themselves to serve the life of their people…
For the hunters and Celtic people, this giving literally meant sustenance,
But it also symbolized a whole way of life that valued social cohesion & mutual support above all.

However,
Early Medieval Christian traditions,
Contrasting with their later orthodoxy,
Regarded The White Stag as a symbol of Christ, along with the also ‘giving’ Lamb, and the more otherworldy Unicorn.

Todays Stag led point then, perhaps my Unicorns horn of contention….
All meaning is open to negotiation and will likely change according to the context it is applied to.
This does not mean that concepts and their symbols are valueless,
On the contrary,
We are more brightly empowered if we are able to understand concepts in multi contexts.
Against a meta narrative then…

Freedom from ‘Idea~Ollogy’

Sines, Sigils & Suchlike *%~….

Whilst ‘God’ may have ‘said’ ‘in the beginning was the Word”…
the concept of words as signs and how they are employed is fraught with complexity,
as the studies of such linguists as Saussure & Noam Chomsky would probably agree.

About signs themselves, they are the pre-linguistic and pictorial origins of words, as may be deduced from the pictography of many ancient messages, and the modern chinese text with its origins in the Oracular Dragon Bones of the Shang Dynasty 1300 BC – 1046 BC (thought by some to shamanically echo the cracks in bones from the fire.)..
As such ancient vessels of meaning, such signs reach past our cognitive mind and straight into the heart of our all seeing sub-conscious selves.

To be more exact, as Carl.Jung has helpfully noted in his Symbols of Transformation text (pp124)
“In neither case should they (signs) be taken literally….
A symbol is an indefinite expression with many meanings, pointing to something not easily defined and therefore not fully known.
But the sign always has a fixed meaning, because it is a conventional abbreviation for, or a commonly accepted indication of, something know.”
Symbols by contrast to signs he alleges are more fluid in meaning then.

All wonderful background for an understanding that language is formed of symbols that we have ascribed definitive meaning to, and thats the point here, it is we who have assigned the meaning to the signs and symbols that we make,
a point not lost on our famous Bard, William. Shakespeare who is believed to have ‘coined’ thousands of words and phrases

To bring this slow background swiftly forward into my topic…
Symbols, also known as Sigils when referring to matters of mystery or spiritual ‘power’
Have a long tradition of deriving their forms from Nature, as it was about nature and natural powers that they ‘spoke’.
For example, the tree, which has been employed variously as a symbol of life & regeneration in respect of the shelter, fruits, fuel and tools that it provided, as well as a centre of sacred knowledge, as in the Garden of Eden.
In this context, that the tree evolved as one of the earliest symbols of reverence is not surprising.

More specifically, about Symbols, Sigils and their ‘power’…
Whilst many cultures have employed various signifiers to represent diverse forms & forces,
and whilst they DO take on some mantle of those meanings in so far as we accord with received opinion over these ….
I make the point that they are then,
Both
Real to the extent that we {unwittingly} empower them as described,
& also Unreal as mere aspects of the nomenclature with which we clothe the world around us.
Our perception of the world then,
Is an imagined apprehension of reality dressed in make believe symbols of power.

%d bloggers like this: