Posts Tagged ‘Trickster’

Floki In the Temple

Floki In the Temple

On the mystery of Spiritual Awareness ~

I am a harmonious one,
A clear singer seeing,
I am the greeness of the growing earth,
blue depth of sky, a spirit with the freeing,
I am a wielder of the words that beget worlds,
A dancing that is advancing, a myth for the time being,
I am the unseen, a serpent of the air,
A dragon distributing keys to the temples of meaning,
I am the birds and the soul of the bees,
Ever sacred trees, paths to the stars and beyond all of these,
I am the speaker concealed in the heart
And I am to be found before riddle of minds start.

c.Celestial Elf 2014

Narrated in the voice of ‘Floki’, this animated poem descibes the perspective of being in tune with the inner self of thought and memory, balanced with the outer self of nature and cosmos. Acting then as a spiritual compass or sun stone, it is a poetic device by which to orient to the divinity within and as such serves as a very powerful blessing.

In the television series Vikings, Floki
Is a boat builder and incorrigible trickster, who also happens to be Ragnar Lothbrok‘s eccentric and closest friend. Committed to helping Ragnar sail west, he secretly designs and builds a new generation of Viking longboats for their voyage across the ocean westward.

He also does seem to embody many characteristics of his nearly namesake Loki.
While treated as a nominal member of the Aesir tribe of gods in the Eddas and Sagas, Loki occupies a highly ambivalent and ultimately solitary position amongst the gods, giants, and the other classes of invisible beings that populate the traditional spirituality of the Norse and other Germanic peoples.

Our Floki character appears to be based on  
Hrafna-Flóki Vilgerðarson…

Flóki Vilgerðarson
9thC Common Era, was the first Norseman to deliberately sail to Iceland. His story is documented in the Landnámabók manuscript. He heard good news of a new land to the west, then known as Garðarshólmi.
He wanted to settle in this new land and so he took his family and livestock with him.
From Western Norway he set sail to the Shetland Islands where it is said his daughter drowned. He continued his journey and landed in the Faroe Islands where another of his daughters was wed. There he took three ravens to help him find his way to Iceland, and thus, he was nicknamed Raven-Floki (Norse and Icelandic; Hrafna-Flóki) and he is commonly remembered by that name.

Three Ravens Print by Dona Reed

Loki and moral ambiguity;
Loki, famously ambivalent, is perhaps best known for his malevolent role in The Death of Baldur.
We may wonder why the Scandinavians had such an apparently wicked god in their mythology at all?
Loki features so prominently in the tales of Norse mythology because these tales explore the inner meanings of the physical realm that we still inhabit.  In earlier times the Northern peoples did not share the conceptions of  absolute moral ‘good’ or ‘evil’ that have been employed to various ends since the rise of christian dominated societies. Some values and actions were appropriate for some people and situations; others were inappropriate for those same people and situations but might be appropriate for other people and other situations.

This was not however the dangerous free-for-all of moral relativism that it sounds. In traditional Germanic society, a person who occupied a particular social role and was a devotee of that role’s corresponding god or goddess could rightly be held to the standard of conduct appropriate for that role and its divinity. Thus, while most Viking Age men were held to the standards of honor and manliness exemplified by such figures as Tyr, Thor, or Freyr, for example, not everyone was necessarily held to these standards.
Devotees of Odin, for example, followed a path of ecstatic and creative self-actualization that often seemed fickle, ruthless, irresponsible, and even shameful by the standards of, say, a man of Thor.

Thus Loki cannot fairly be considered an example of moral ‘evil’. Instead, he’s an example of one of the countless, often opposing and contradictory principles and meanings of which life consists. Wether they accept it or not, many people appear to share the flexible and self interested mindset as exemplified by Loki. It is inevitable however that in an informed and conscious Pantheisitic, animistic,perspective which accepts both light and dark as parts of a unified whole, even (f)Loki’s irreverence itself is a spiritual perspective and ultimately worthy of respect.

Grateful thanks to my source for this research;
Dan McCoy – Norse Mythology for Smart People./Loki
 Ásáheil og Vána!
May the Blessing of Aesir and Vanir
Ever Be With You!

 

 

 

Gwydion Caer Wydion

Gwydion Caer Wydion

Gwydion (Goo-Eed-Yon), Caer Wydion the Celtic Bard born of the trees, at ‘the Castle of Gwydion’ which was the traditional Welsh name for the Milky Way ie under the Sky above ~

Gwydion is a Celtic Bard, Sorcerer and Trickster of Welsh mythology, appearing most prominently in the Fourth Branch of the Mabinogi, the Welsh Triads and the 14th century medieval Welsh book of poetry The Book of Taliesin by the Bard Taliesin, whose name means Radiant Brow.
Here we hear Gwydion recite a verse from the Cad Goddeu – the Battle of the Trees, found in the The Book of Taliesin which tells the story of a battle fought between Gwydion and Bran. Gwydion enchants the trees to fight as part of his army, which he is empowered to do as he is himself ‘Born Of Trees’ which is the meaning of his name.

In the section of the poem narrated here, Gwydion is declaring his magical lineage and shared spiritual existence with the underlaying forces below and beyond nature, he is a poetic shaman of the highest order.

Before I assumed a consistent form,
I have been a sword,
Narrow variegated,
I will believe it when it appears.
I have been a door in the air,
I have been a shinning star,
I have been a word among letters,
I have been a book originally.
I have been the light of lanterns,
A year and a half.
 
I have been a course,
I have been an eagle,
I have been a corricle in the seas,
I have been compliant in the banquet,
I have been a drop in a shower,
I have been a sword in the grasp of a hand,
I have been a shield in battle,
I have been a string in a harp,
Disguissed for nine years in water –
In foam.
I have been sponge in the fire,
I have been wood, in the covert,
There is nothing in which I have not been.
 
Neither of mother or father, when I was made,
Was my blood or my body.
Nine formed faculties.,
Of the fruit of fruits, of fruit God made me,
Of primroses and blossoms,
Of thyme hill,
Of the flowers of trees and shrubs,
Of Earth, of an earthly course,
When I was formed.
 
Of the flower of nettles,
Of the water of the ninth wave.
 
I was enchanted by Math,
Before I became Immortal,
I know the star knowledge,
Of the stars before the Earth was made.
c. Taliesin from the Cad Goddeu.
 

On the Power Of Trees; Mytho Poetic Beings Rooted in the Here and Reaching Hereafter;
In many mythologies Trees are embued with far reaching powers that are infact commensurate with their actual influence over the nature and wildlife of their environs. The mythologies have explored these connections further than the mere material, as can be seen in the words for Oak and Door in Irish and Welsh being related (dair — the same word for both in Irish — derwen and drws, and even English “door”, Norse dyrr and Greek thura), implying perhaps a view of the Oak as door to the Otherworld. In addittion also consider the Norse World Tree Yggdrassil.

The original poem is fragmented and full of riddles which has given rise to a wide range of interpretation and speculation. Most famous of these is Robert Graves remarkable mytho-poetical study ‘The White Goddess’.

On The Excellence of the Poetic Word; Druid Rhetoric and Shaman Transormations;
We see many details about Gwydion exisiting as diverse beings in this poem, as shapechange itself is a well known device of Druids, Bards and Shamen. Joan Halifax, in ‘Shaman: the Wounded Healer’ (1982), says: “To the heavens, to the well at the end of the world, to the depths of the Underworld, to the bottoms of spirit-filled lakes and seas, around the earth, to the moon and sun, to distant stars and back again does the shaman-bird travel. All the cosmos is accessible when the art of transformation has been mastered.” (p. 24)
Thus the Shamanic technique of flight which encompassess many transformations is often expressed, evoked and even facilitated via the Bardic power of the word, the hypnotically chanted word, the alliterative or allegorical poem, and the very wings of the song. As such, i’m sure that many will easily recognise, tales, poems and songs do indeed hold a transformative power over our individual awareness and ensuing spiritual essence, empowering changed perceptions and consequently lives and worlds..

Of the Battle of the Trees itself;
The Battle of the Trees originated when Amaethon stole a dog, a lapwing, and a roebuck from Arawn, the god of the Underworld (called Annwn). Robert Graves, who speculated that Bran and Arawn were names for the same Underworld god, wrote that the battle was probably not meant as a physical one but rather a struggle of wits and scholarship. Gwydion’s forces could only be defeated if the name of his companion, Lady Achren was guessed (her name meant “Trees”), and Arawn’s host could only be defeated if Bran’s name were guessed (which Gwydion did).
The trees who fought in the battle were also part of the Druidic alphabet known as Ogham, where each sound is represented by a pattern of notches and a particular tree. Each tree had a meaning and significance of its own, which was why Gwydion was able to win the battle: he guessed Bran’s name by the Alder branch Bran was carrying–the alder being one of Bran’s prime symbols.

Blessed Be By Star And Stone *~

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