Posts Tagged ‘Peace’

Freyr

My hand-carved Freyr charm

Freyr, Frey -Old Norse Mythology lord of the sun, rain and harvests,
He is a shining god, bringing fertility and prosperity to all.
Freyr was one of the Vanir gods that went to live in Asgard after the War between the Æsir and Vanir.

He is the noblest of the gods. Together with his sister, Freyja, he brings peace and prosperity to men and the blessings of fertility to the home and the field. The Norsemen made sacrifices to Freyr ’til árs ok friðar’ (for frutifulness and peace).

Left to right: Njörðr, Skaði, Freyr. From the book The Elder or Poetic Edda; commonly known as Sæmund’s Edda. Edited and translated with introduction and notes by Olive Bray. Illustrated by W.G. Collingwood.

His home is Alfheim and he is known as God of the dead: those interred in the kin mounds and Lord of the land of the Alfs (Elves). This place was later called Elfhame and Elphame, and in more modern times Elfland or Elfenland.
Symbolism, Stags antler, Ship, Wagon, Boar, Rays of the sun, Phallic symbolism (and consequently the modern suggestion of a horn of plenty)
Sacred Animals, Boar, Horse, Stag.
* A Freyr idol with a priestess (or the god’s “wife”) would go on procession round villages to bless the fields during harvest.
* His holy places could not have weapons or outlaws within them and no blood shed.

The possible connections of Freyr with Ingui and their similarities have been noted.
It is known that, according to Norse mythology, Freyr was closely linked with the Sun. He was the god of peace and fertility. His parents were the sea god, Njord and the giantess, Skadi. He translates as the most prominent and most beautiful of the male members of the Vanir, and is often referred to as ‘God of the World’. Subsequent the merging of the Aesir and the Vanir, Freyr is known as ‘the Lord of the Aesir’. Freyr is also called upon by common folk to grant fertile marriages.

Ingui, or Ing, is the rather obscure name of a god in the Anglo-Saxon heathen tradition who was the god of sun and rain, and the patron of bountiful harvests. He was both a god of peace and a brave warrior. He was also the ruler of the elves.

If as many schools believe, he is one and the same as the Norse god, Freyr, then Ingui’s social standing as a god among the Anglo-Saxon heathens could have been one of great veneration.

Evidence connecting the Anglo-Saxon Ingui to the Norse Freyr is that another name for Freyr is Yngvi or Yngvi-Freyr, the Yngvi element is phonetically cognate with the Anglo-Saxon Ingui. It’s possible that the Anglo-Saxon Yngvi-Freyr may have been called Ingui-Frea, Frea being the Anglo-Saxon cognate of Freyr.

Freyr’s Return;

As important for the individual
and development of the world
as the revival of the Divine Feminine
in all Her myriad forms,
is the retrieval of the Passionate, 

Vibrant Masculine.

We might rediscover the caring masculine energies
to be a vital part of the cosmological balance
of universal and interpersonal forces.

Praise Be To Freyr!

Praise Be To Freyr!
To Life, to Spirit, to Freedom!
Praise be Green Hills and Verdant Valleys Forever!
Fertility to the Fields and Flowers!
The Birds and Bees!
The Deer and the Does!
Praise to Dancing and Drinking!
To Frolicksome Freols!
Lifter of Hefts and Hafts!
Unbinder! Lord of the Elf Fields!
May my life be a tribute to the Freedom you o’ersee!
May my life be filled with your festivity and frith!
Praise Be to Freyr!
The Mighty Elf Lord of Freedom!
© Siegfried Goodfellow 2005

In heathenism and paganism, poetry becomes prayer through which we enter into the magic of being in touch with all the holy powers that make this life a sacred blessing.

May You Be Blessed ~

A Christmas Carol

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To share a slightly different outlook on the Christmas Festival I wrote a short song modeled after Charles Dickens’ A Christmas Carol but inspired by the earlier Pagan traditions of the Season.

According to historian Ronald Hutton, the current state of observance of Christmas is largely the result of a mid-Victorian revival of the holiday spearheaded by Dickens’ Christmas Carol. Hutton argues that Dickens reconstructed Christmas as a family-centered festival… in contrast to the earlier community (and church)-based observations which had dwindled during the late 18th and early 19th centuries.
Most of our actual British Christmas customs the tree, the turkey, the stocking, the cards and Santa Claus have only appeared since 1840.

This season was always however a time for community, charity and sharing, as the poorest, oldest and feeblest members of a community would become physically vulnerable to hunger and cold. Their morale would take a further dent if they saw their neighbors making merry all round them and were unable to share in any of it. If they then died, this would not be good for the consciences of their survivors; if they lived, they could bear nasty grudges. Hence, from the time that evidence survives, midwinter was a great time for the giving of food, drink or money to the less fortunate. In the Middle Ages people known as Hogglers or Hognels would often volunteer to collect and distribute them. In addition, poor women and children would go from door to door asking for such gifts, a custom known, according to your region, as Thomasing, Gooding or Mumping. The fitter men from the poorer families would visit their wealthier neighbours with plays, dances or songs, and earn the goodies in return; that is why customs such as mummers’ plays, sword dances and carols are so important at this time. So when your doorbell rings and you find a choir yelling ‘Good King Wenceslas’ outside while a collector holds out a tin for a good cause, you are sharing in (a tradition)… thousands of years old.
(Ronald Hutton, Stations Of The Sun)

Whilst the trappings of the modern Christmas are relatively recent, this festive season has been celebrated since history began.
In Ancient Northern Europe the mid-winter Solstice (between 20th/23rd of December) was called ‘Modranicht’ or ‘Earth Mother’s Night’ and as the shortest day of the year it effectively represents the turning point of the season.
In Northern Europe the winter festival was called the Yule (Juul). As the people thought the Sun stood still for twelve days in the midwinter, plunging Mother Earth and all her growing things into the dark, coldness of death, it was thought that spring could not come without their celebration of midwinter.
More on the Yuletide here.

Of Father Christmas, mythologist Helene Adeline Guerber suggests the Northern traditions indicate Santa as the Norse god Thor. Contrastingly from Iceland the Poetic Edda and Prose Edda poems
describe Odin as riding an eight-legged horse named Sleipnir (Santa originally had eight reindeer, Rudolph was nine) .
More on the origins of Santa Claus here.

Further, that the three greatest Neolithic monuments of Ireland, Scotland and England the massive tombs of Newgrange and Maes Howe, and Stonehenge itself are all aligned on the midwinter sunrise or sunset, shows how important this festival was even in the Stone Age.

With an eye to current world affairs and the rise of Global Corporatism, I have included a protestors scene, with a call to Occupy Christmas as an opportunity to reconsider what the festival may mean now.


✻ ✼ ❄ ❅ ❆ ❇ ❈ ❉ Occupy Christmas ✻ ✼ ❄ ❅ ❆ ❇ ❈ ❉
to learn about the causes of Occupy I recommend Naomi Klein’s Shock Doctrine
.
I replaced Dickens’ Ghosts of Christmas Past, Present and Future with a mischievous Jack Skellington as Sandy Claws who finally gets his Christmas mission right, after a fashion), and instead of the more usual three visits through time in the life of Ebeneezer Scrooge, my character ‘Scourge’ is given 3 visions instead, to the Three Realms of Celtic mythology;

The Celtic view of the Otherworld consisted of three distinct realms, these being Sea, Land and Sky, their counterparts being Underworld, Earth and Otherworld.

Tir Andomain, Realm of The Underworld and the Sea.
This is the realm of the Ancestors and Gods and Goddesses responsible for the cycle of life, death and rebirth, the realm of the past.

The Meath, Realm of the Land (Earth) represents the present and the physical. We are beings of this realm that we share with the animals and the nature spirits.
Here we see the poverty of Dickens’ London as families live in sheds and children carol sing not for pocket money or treats but for essential foods.

The Magh Mor, Realm of Sky and the Otherworld.
This is where most of the Gods and Goddesses dwell, the realm of the future and the place that grants inspiration, creativity and wisdom. The realm of sky is the pathway of the Sun, Moon and constellations, as well as the wind and weather. Many Gods and Goddesses have influence in all three realms, just as the Land has it’s influence on the other two realms; caves, burial mounds, wells and springs are entrances to the underworld, while trees which exist in our realm are viewed as linking all three together. Represented here as a Celtic Afterlife peopled by Four Elemental Spirits of Air, Fire, Earth and Water.

As Air; Dian Cecht, Psychic Guardian and Healer of the Tuatha Dé Danann ~ The Hawthorn was a symbol of psychic protection due to its sharp thorns. Spirits were believed to dwell in Hawthorn hedges, which were planted as protective shrubs around fields, houses and churchyards. The Goddess Brighid was also associated with the Hawthorn, which is one tree which has managed to breach the divide between Paganism and Christianity and Dian Cecht was Brigid’s male counterpart.Hawthorn individuals are represented by a Masculine polarity and the color purple.

As Fire; Aibheaog is an Irish deity who represented fire, and yet she had a magical well which promoted healing. She is associated with wells and the number 5. Rules Over: Healing, Midsummer well rituals.

As Earth; Cernunnos. Although Cernunnos is a Gaulish horned god, his worship was widespread in the Celtic era, and he was venerated over the channel in Britain in various similar forms.
In appearance he had stag antlers sprouting from his head, wore a torc around his neck, and was depicted with a ram headed serpent. He may have been seen as lord of the animals, and the spirit of the woods, a powerful archetypal nature spirit and male partner of the earth mother. Later, in Christian times his image was transposed on to that of the Devil, who also appeared with horns.

As Water; Coventina, a Celtic river goddess known for healing, also associated with renewal, abundance, new beginnings, life cycles, inspiration, childbirth, wishes and prophecy. In worship to her coins and other objects were tossed into the wells as offerings for sympathetic magick. These wells represent the earth womb, where the Celts felt her power could be most strongly felt. Her symbols are the cauldron, cup, water, coins, broaches and wells. From Scotland comes her association with the underworld, where she was the Goddess of featherless flying creatures which could pass to the Otherworld. Being a river goddess she is connected the ebb and flow of time.

With a hope that this film may remind us to think of more than just family gatherings and presents, that it may be a magical time to think with our hearts and consider the wider picture.
To focus upon the whole rather than any portion, to live more meaningful lives, we may honor these the Three Realms and each-other throughout our daily lives.

A Yuletide Carol by celestialelff

Tis the Modranhit of Midwinter,
To the Three Realms we will go,
Through the portal to Tir Andomain,
Through the Silence beneath the Snow.

Deep within the center,
With the Ancestors in the past,
See the Joy of their Yuletide,
Beyond Time’s Oceans Vast.

The Rising of the Sun,
The Running of the Year,
The Setting of the Sacred Moon,
And the Circle is ever clear.

And look now upon the Earth Realm,
To the Meath beneath the Sky,
See the people in their families,
From their community awry.

Hear the Thomasing and the Gooding,
And the Mumping of the Children,
Both Ignorance and Want do Cry Out,
No more Cup Of Memory here….

The Rising of the Sun,
The Running of the Year,
The Setting of the Sacred Moon,
And the Circle now Draws Near….

Come beyond now to the Magh Mor,
Beyond the graveyard in the Sky,
To the Afterlife of the Otherworld,
Once again the Joy does fly…

Be Blessed then by this Vision,
Of the Three Realms you have made,
Join the Circle of your past life,
To your Future, Present saved…..

The Rising of the Sun,
The Running of the Year,
The Setting of the Sacred Moon,
And the Circle has come Here.

c Celestial Elf 2011.

Merry Christmas!

The Song Of Amergin, A Samhain Story


King Arthur having recovered Bran The Blessed’s  talking Head, will bring this head to a Samhain gathering where Bran will recite The Song of Amergin to the assembled gathering.

On The Song of Amergin, 
The Song of Amergin is an ancient Celtic poem
which speaks of the origin of the Universe, the nature of the Gods and the path to Wisdom.
Taken from The Irish Book of Invasions first written down in the early medieval period, this poem is attributed to Amergin (Irish;Amhairghin) chief Bard and Druid of the Milesians.


Long after the magical Tuatha Dé Danann, the Faerie Clan who were considered as Gods, had established their kingdom in ancient Ireland or Éire, a new
invasion took place and the first
Gaelic people arrived.
The Tuatha Dé Danann’s High King, The Dagda, invoked his powers to repel the strangers, he sank their ships and prayed to the winds to keep them out.
They landed however and Amergin sang a poem of thanks, aligning himself with the powers of the Land. Through his Awen (poetic inspiration) he became the elements and the Cosmos, charging them with his flowing spirit and limitless understanding, he overcame all obstacles and his people took guardianship of the Land.

& How Graves Reveals A Dolmen Stone Alphabet;
Robert Graves has said that ‘English poetic education should really begin not with Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin
By answering a series of  riddles in an ancient Welsh ‘Book of Taliesin‘, Robert Graves first uncovered ‘The Battle of the Trees’. This was a poetic ‘battle’ apparently charged with the purpose of preserving the hidden Druidic knowledge of a secret tree alphabet or Ogham, from the uninitiated during a time of cultural upheaval as the newly arrived Christianity sought to replace the earlier pagan and Druid traditions.
Then considering its Irish poetic counterpart ‘The Song of Amergin’, Graves discovered the use of a similar alphabet that also operated as an ancient Celtic calendar.  

By strictly adhering to the poem’s structure, Graves worked out the proper sequence of the Irish alphabet, which was then comprised of 13 consonants and five vowels. (It is only later that it grew to 15 consonants).
The clue to the arrangement of this alphabet is found in Amergin’s reference to the dolmen,’ says Graves. “It is an alphabet that bests explains itself when built up as a dolmen of consonants with a threshold of vowels.

Dec 24-Jan. 20 B
I am a stag of the seven tines, (Birch/Beth) 

Jan. 21—Feb. 17 L
I am a wide flood on a plain, (Rowan/Luis)

Feb. 18—Mar. 17 N
I am a wind on the deep waters, (Ash/Nion)

Mar. 18-Apr. 14 F
I am a shining tear of the sun, (Alder/Fearn)


Apr. 15-May 12 S sun,
I am a hawk on a cliff, (Willow/Saille)

May 13-Jun. 9 H
I am fair among flowers, (Hawthorn/Uath)

Jun. 10-July 7 D
I am a god who sets the head afire with smoke, (Oak/Duir)

July 8-Aug. 4 T
I am a battle-waging spear, (Holly/Tinne)

Aug. 5-Sept 1 C
I am a salmon in the pool, (Hazel/Coll)

Sept. 2-Sept. 29 M
I am a hill of poetry, (Vine/Muin)

Sept. 30-Oct. 27 G
I am a ruthless boar, (Ivy/Gort)

Oct. 28-Nov. 24 NG
I am a threatening noise of the sea, (Reed/Ngetal)

Nov. 25-Dec. 22 R
I am a wave of the sea, (Elder/Ruis)

Dec. 23
Who but I knows the secrets of the unhewn dolmen?

Poem by Amergin, Translation From The White Goddess, by Robert Graves.

http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F24924435  The Song Of Amergin by celestialelff

Graves maintains that the architectural structure of the Dolmen with its horizontal capstone resting above two upright stone pillars, served as teaching tool for Druid priests on which the Irish alphabet was superimposed in sequential form on three separate slabs.
So for example starting upwards from the bottom left of the first stone are the letters B, L, N, and F. On the capstone from left to rights are the letters S, H, D, T and C. Descending downwards on the right pillar are the remaining consonants, M, G, NG, and R. Hidden below this stone formation thus reflecting the Celtic belief, ‘As above, so below,’ are placed the threshold of vowels, A, O, U, E and I.

Thus this alphabet Dolmen may serve as a calendar, with one post for Spring, another for Autumn, the lintel for Summer, the threshold for New Year’s Day.    
                                           

                                                                                   

                                     

                                                                             

                                                                                 

Of Graves Dolmen Ogham, Merlin and Stonehenge;
Graves’ revelation of the dolmen being used as teaching model for the Irish alphabet makes the myth of Merlin transporting the stones of Stonehenge from Ireland to Salisbury enormously intriguing.
Perhaps the stones he ferried were more of a stone alphabet like runes. If so, there is a strong possibility of a similar alphabet in use at Stonehenge and this might also explain the legend of Merlin’s alleged role in its construction..

William Blake. Jersualem.

                                                                                                        
Taking Grave’s analysis of the Song of Amergin a step further, the final riddle, ‘Who but I knows the secrets of the unhewn dolmen?’ raises questions about whether Stonehenge could be ‘read’ like a book.
Graves suggests that much like Braille, the dolmen’s dimples, indented grooves and angles are an essential part of reading the alphabet and hence the stone.

example 1. Ogham stone.

example 2. Ogham text.

                                                                    
”If one Dolmen can be used as a teaching tool on which the Irish alphabet was placed, could not an entire circle of stones tell a tale?
If it were possible, we can surmise that it could be a revelatory, almighty epic”. ( Munya Andrews )

                                                                     

                                                                         
Of Bran The Blessed;
Brân the Blessed (Bendigeidfran, the ‘Blessed Raven’) was a central figure in The Mabinogion, counted as Britain’s greatest champion before King Arthur and one of the ‘Three Blessed Kings of Britain’ according to the ancient Triads.
He was also Guardian of a magical Cauldron of Knowledge and Rebirth from the Goddess Cerridwen.
There is an ancient Celtic tradition about Cauldrons of rebirth, into which wounded, dead or dying soldiers were plunged, and came out healed and reborn.

Several scholars have also noted similarities between Brân and the Arthurian character of the Fisher King, keeper of the Holy Grail which also bestowed health, healing of wounds and disease upon its bearers. Further conjecture suggests that Cerridwen’s cauldron is in in fact the Holy Grail for which King Arthur spent his life searching as noted in Taliesin’ poem, the ‘Spoils of the Annwfn
                                                                               
                              
Following a conflict over Bran’s sister Branwen,(the White Raven) after her wedding to the Irish King Matholwch (the Bear), Bran offers him reconciliation in the form of his Cauldron. However Matholwch mistreats Branwen in Ireland and she sends word for Bran to rescue her. On their arrival the Irish offer peace but actually plot treachery and a vicious battle breaks out.

The result of the battle was very catastrophic, every Irish citizen but five pregnant women lay dead, and of the mighty armies of Bran, only seven men survived.

                                                                            
These men were instructed by the mortally wounded Bran to decapitate him and bear his head to Caer-Lundein (London) to bury it at Gwynfryn, the ‘White Mount’ (where the Tower of London now stands) to protect the Isle.
On their return voyage the men chanced to enter the Otherworld and for seven years the seven survivors (symbolic of the seven planets that regularly descend into the Underworld and then rise from it) stayed in Harlech, entertained by Bran’s head which taught them everything he had learned from the Goddess’ Cauldron, passing on his wisdom for all future generations.
That Bran, the Raven’s severed head was also capable of prophecy connects him with the ancient Celtic practice of augury, divination through bird flight.

The group set off again and land to spend a further 80 years outside of time, in a castle on Ynys Gwales, Grassholm Island off Dyfed, where they feasted in blissful forgetfulness and joy.
Eventually they take the head to the Gwynfryn, the ‘White Mount’ thought to be the location where the Tower of London now stands, and buried it facing France to ward off invasion.

According to the Welsh Triads, as long as Bran’s head remained in The White Tower facing France to ward off Saxon invasion, Britain would be safe from invasion, which it was for many generations before it was dug up by the pious King Arthur. ‘Arthur disclosed the head of Bran the Blessed from the White Hill since he did not desire that this island should be guarded by anyone’s strength but his own’ – Welsh Triads.

King Arthur had declared that he needed no talisman to protect his own country and dug up Bran’s head as proof that he could perform the requirements himself.
Sadly, he did not succeed and internal political conflict led to his death and to the increase of Saxon settlements in Britain.

King Arthur Pendragon. 2011.

More recently and following the ancient prophecies and the Celtic belief in reincarnation, the returned King Arthur has reburied a symbolic Ravens skull at The White Mount, Tower Of London, in an effort to resurrect the protective power of Bran in these troubled times.

                                                                               

                                                                          

A footnote upon Samhain;
The night of Samhain (pr; SOW-in, SAH-vin, or SAM-hayne) marks one of the two great gates of the year; Beltane and
Samhain being the doorways that divide the year into Light and Dark.
Samhain  itself is a Gaelic word signifying the end of summer and begins at sunset October 31.
This is believed by many to be a magical time when the boundaries between the worlds of the living and dead become thinner, allowing spirits and other supernatural entities to pass between them.

Traditionally, Samhain was a time to take stock of the herds and grain
supplies, to decide which animals would be slaughtered
for the people and livestock to survive the winter. Bonfires played a large part in the festivities celebrated down
through the last several centuries, and villagers were said to have cast the bones of the slaughtered cattle on the flames hence the name ‘bone fires’, some say these bones should then be ‘read’ for their prophetic powers.
With the community bonfire ablaze, the villagers extinguished all other fires.
Each family then solemnly lit its hearth from the common flame, thus
bonding the families of the village together.
The pagan Romans also identified Samhain with their own feast of the
dead, the Lemuria,(observed in the days leading up to May 13).With Christianization, the festival in November (not the Roman
festival in May) became All Hallows’ Day on November 1 followed by All
Souls’ Day, on November 2.
Over time, the night of October 31
came to be called All Hallow’s Eve, and the remnants festival dedicated
to the dead eventually morphed into the secular holiday known as
Halloween.

                                                                                  
However, historian and author Ronald Hutton points out that while medieval Irish authors do attribute a historical pagan significance to the Beltane
festival, they are silent in this respect in regard to Samhain,
apparently because no evidence of pagan ritual as a Northern European festival of the dead had survived into the
Christian period. According to Hutton, most of the popular myths about the origins of Halloween can be traced
back to two nineteenth century British authors: Sir John Rhys and Sir James Frazer (The Golden Bough) who speculated about connections between Halloween and
pagan Celtic rituals, but provided no valid evidence to back up their
claims. At the time they were writing, modern folk customs were
typically seen as remnants of prehistoric religious rituals which
survived among the common, uneducated country folk long after their
original purpose had died out.

Whilst historian Nicholas Rogers notes
that ‘some folklorists have detected its origins in the Roman
feast of Pomona, the goddess of fruits and seeds, or in the festival of the dead called Parentalia, by contrast Mr. Hutton claims it is more typically linked to and derived from the Catholic holidays of All Saints and All Souls Day. This festival began on All Hallows Eve (hallow is an archaic English word for
‘saint’) the last night of October, included a Church mass for the dead, torchlight processions and bonfires.
Objectively, Mr. Hutton does include the evidence for both of these latter in the earlier festivals.
Ronald Hutton, The Stations of the Sun: A History of the Ritual Year in Britian, Oxford University Press, 1996 (See the following
chapters: 35. Samhain, 36. Saints and Souls, 37. The Modern
Hallowe’en)


The ‘Surviving’ Samhain and Halloween Tradition;
Conjecture over other aspects of this festival and following extrapolations from Beltane, the other great turning point in the Celtic world, supports many peoples views that a commemoration of the deceased could indeed have been an ancient tradition as the people saw nature fall to decay so thoughts naturally turned to loved ones also passed away. Many customs were also established, such as the approaching time of darkness being regarded with suspicion and a need for protection by bonefires and charms. Gatherings were held and still are, feasts and gifts were shared, blessings were given and invoked and the presence of spirits traveling between worlds is felt, these traditions inform our belief and practice today.

In such a view, offerings may be made to welcome specific ancestors and a community’s beloved dead home, songs, poetry and dances can performed to entertain them.

The opening of door or window to the west lit with a candle or lamp is thought to aid their passage home and conversely candle lanterns carved with fearsome faces are placed in windows to ward off any unwelcome evil spirits abroad on this otherworldly night.

The custom of wearing costumes and masks, fancy dress or disguise has developed at this time and been considered an attempt to copy the spirits or to placate them. Such ‘Guising’ has been a part of Christmas and New Years Eve customs in Britain and
other parts of Europe since medieval times. By the nineteenth century
the practice had also become a feature of Halloween in Scotland and Ireland.
The practice of Trick-or-treating apparently originates in the late medieval practice of ‘Souling‘, when poor folk would go door to door on Hallowmas (November 1), receiving food in return for prayers for the dead on All Souls’ Day.

Sacred Samhain and Happy Hallowmas,
By Stone and Star
Celestial Elf ~

Taliesin’s Battle Of The Trees

I have set Taliesin’s Battle Of The Trees within two other pieces, firstly Tacitus’ report of the Roman invasion of the Druid island of Angelsey, followed by another poem from those by Taliesin which had been mixed in with The Battle of The Trees in a method of concealment to hide the poems meaning from those without understanding.

The Battle Of The Trees / Cad Goddeu ;

The tops of the beech tree have sprouted of late,
are changed and renewed from their withered state.

When the beech prospers, through spells and litanies,
the oak tops entangle, there is hope for the trees.

I have plundered the fern, through all secrets I spy.
Old Math ap Mathonwy knew no more than I.

For with nine sorts of faculty God has gifted me,
I am fruit of fruits gathered from nine sorts of tree–

Plum, quince, whortle, mulberry, raspberry, pear,
Black cherry and white, with the sorb in me share.

From my seat at Caer Fefynedd (Kire Fev-Un-eThh), a city that is strong,
I watched the trees and green things hastening along.

Retreating from happiness they would fein be set
In forms of the chief letters of the alphabet.

Wayfarers wander, warriors are dismayed,
at the renewal of conflicts such as Gwydion made.

Under the root of the tongue, a fight most dread,
and another raging, behind, in the head.

The alders in the front line began the affray.
Will and rowan tree were tardy in array.

The holly, dark green, made a resolute stand;
He is armed with many spear points wounding the hand.

With foot beat of the swift oak heaven and earth rung;
“Stout Guardian of the Door”, his name in every tongue.

Great was the gorse in battle, and the ivy at his prime;
The hazel was arbiter at this charmed time.

Uncouth and savage was the fir, cruel the ash tree–
Turns not aside a foot breadth, straight at the heart runs he.

The birch, though very noble, armed himself but late;
A sign not of cowardice but of high estate.

The heath gave consolation to the tail spent folk
The long enduring poplars in battle much broke.

Some of them were cast away on the field of fright
Because of holes torn in them by the enemy’s might.

Very wrathful was the vine whose henchmen are the elms;
I exalt him mightily to rulers of realms.

Strong chieftains were the blackthorn with his ill fruit,
The unbeloved whitethorn who wears the same suit.

The swift pursuing reed, the broom with his broad,
And the furse but ill-behaved until he is subdued.

The dower scattering yew stood glum at the fight’s fringe,
With the elder slow to burn amid fires that singe.

And the blessed wild apple laughing in pride
And the Borchan of Maeldrew, by the rock slide.

In shelter linger privet and woodbine,
Inexperienced in warfare, and the courtly pine.

But I, although slighted because I was not big,
Fought, trees, in your array on the field of Goddeu Brig.

translation from Robert Graves book The White Goddess;

The Book of Taliesin dates from the 14th C. and collected 56 of the oldest poems in Welsh, those attributed to the 6th C. poet Taliesin would have been composed in the Cumbric dialect of the north. The manuscript preserves a few hymns, a small collection of elegies and also enigmatic poems such as The Battle of Trees and The Spoils of Annwfn, in which the poet claims to have sailed to another world with King Arthur and his warriors.

The Battle of the Trees poem itself, whilst currently “pied” with approximately four other poems, is set during a war between Arawn King of Annwfn or the Underworld, and Amaethon a ploughman. This war is prompted by the latter’s theft of three magical creatures from the underworld, a dog who was the guardian of the secret, a white roebuck who hides the secret, and a lapwing who disguises the secret.
Regarding the secret powers possessed by these otherwordly creatures, it is said in the Triads:
there are three primary essentials of genius;
an eye that can see nature, a heart that can feel nature, and a boldness that dares follow it.

Druids taught in Triads or groups of three, which embodied the traditional Laws, Customs, and Wisdoms, of the ancient Celtic people, such as “Truth in heart, strength in arm, honesty in speech.” or “Three things not easily restrained, the flow of a torrent, the flight of an arrow, and the tongue of a fool.”

The poem famously details the legendary Gwydion‘s account of the trees of the forest which he enchanted to fight as his army against Arawan.
Within the ranks of Arawn’s forces were a number of mighty warriors, and one of these was invincible as long as his name remained a secret.
Gwydion the enchanter rightly guessed the secret name and won the battle saying these words:

Sure-hoofed my spurred horse,
On your shield Alder sprigs,
Bran is your name, Bran of the branches.

Sure-hoofed my horse of war,
On your hand are sprigs of Alder,
Bran you are, by the branch you bear.

However as Robert Graves explores in his book ‘The White Goddess’ the poem is particularly notable for its striking and enigmatic symbolism and the wide variety of interpretations this has occasioned.
Graves suggests that the trees in this poem correspond to the ancient Ogham alphabet, in which each alphabetic character represents a specific musical note, seasonal cycle, mythological tale and deity.
This method of association was a teaching aid in the letters and the trees associated with each, and its use in this poem was a poetic plea for the continuance of the use and teaching of this alphabet;
”This alphabet utilized thirteen consantants and five vowels. The consantants form the thirteen months of the annual cycle, while the vowels set forth the five year cycle of this Celtic calender. The letters/trees within the poem are not set in their proper order, I believe, in a further attempt to “encode” the information given in the poem so that only a person versed in this alphabet could utilize it.” Robert Graves.
Each tree had a meaning and significance of its own, and Gwydion guessed Bran’s name by the Alder branch Bran carried, the Alder being one of Bran’s prime symbols.

Graves thus argued that the original poet had concealed Druidic secrets about an older matriarchal Celtic religion for fear of censure from Christian authorities, that Arawn and Bran were names for the same underworld god and that the battle was probably not physical but rather a struggle of wits and scholarship: Gwydion’s forces could only be defeated if the name of his companion, Lady Achren (“Trees”), was guessed, and Arawn’s host only if Bran’s name was guessed.


Blessed Be /|\ ~

To The Venus Project;

This machinima film is a fictional message from a post apocalyptic and pro permaculture peace and sustainablility future world to the current day Venus Project and its founders.

Greetings to the people of the planet of the Earth,
to the 21st Century before freedoms birth,
Greetings and thank you for the gift that you gave us,
And to Jaque Fresco for the path that he showed us.

Our historians detail of your troubled times of life,
Of the crimes of Great War and of Poverty and Strife,
The suffering and the conflict endured beneath corporate powers that sell,
The pollution of planet and recurring nightmares that fell.

Cyclical, endless and ancient hierarchs its true,
But listen a moment and you will find the way through,
Give a thought to the causes of the problems portrayed,
Step out and beyond from the pointless charade.

Whilst rooted in confusion and greed and neglect,
Centralized self interest did rule as much as could get,
But the lack of balance between nature and her people,
Was paid by the countless and voiceless as their masters did trample.

Our mission in this message is to remind you now, how,
You chose to emerge all those eons ago,
Your heart-mind remembered that we are all one,
A family of life-kind under the very same sun.

The day you said stop, and all the world stood still,
You threw aside chains of deceit, fear and ill will,
You began the great Venus Project with its bright principles fair,
United creation, carbon emissions reduced and CO2 cleansed from the air.

From outside of the deeps and the depth of all space time,
We send you our thanks for the courage it took,
To emerge from beneath the tyranny of your lifetimes,
To evolve beyond fear and approach life with a new look.

Listen a moment longer and you might see ahead,
Our world following where your exemplary vision has led,
A cybernated eco-civilization where technology serves that all may thrive,
A permaculture planet, bio diverse, blue-green and alive.

Abandoning the treadmills of competitive possession,
Turning platitudes into plowshares, well wishes into action,
Setting the obsolete and dangerous power systems aside,
For clean solar and wind, water and thermal energies supplied.

Your restructuring of society brought peace to the earth,
Planetary sustainability beyond politics poverty and war,
Your well conceived vision bypassed the impending apocalypse,
As people and planet restored, realized the abundance of life.

And as all nations embraced the new resource based economy,
Our mythologies tell how the geo-political collapse fell away,
And the community of Life-kind on earth at last flourished,
As humanity embarked on its true finest day.

From our sustainable cities, circular on sea land and in air,
With each concentric region ergonomically planned,
From the central hub, home of our community endeavors,
From the hearts of our speakers, we send joy, thanks and blessings.

c celestial elf 2011

nb for any who may be interested in the problems of machinima making, please see Viewless at Venus for an interesting encounter.


What is the Venus Project?

The Venus Project ( http://www.thevenusproject.com/ ) was started
around 1975 (formally called “Sociocyberneering”) by Jacque Fresco and
founded on the idea that poverty is caused by the stifling of progress in
technology, which itself is caused by the present world’s profit-driven
economic system.
Presenting a bold, new direction for humanity that entails nothing less than the total redesign of our culture, resolving the serious problems of unemployment, violent crime, replacement of humans by technology, over-population and a decline in the Earth’s ecosystems.
According to Fresco, poverty, crime, corruption and war are the result of scarcity created by the present world’s profit-based economic system.
The Venus Project is dedicated to confronting these problems by actively engaging in the research, development, and application of workable solutions through the use of innovative approaches to social awareness, educational incentives, and the consistent application of the best that science and technology can offer directly to the social system, The Venus Project offers a comprehensive plan for social reclamation in which human beings, technology, and nature will be able to coexist in a long-term, sustainable state of dynamic equilibrium.
Fundamental to the project is what Fresco calls a “resource-based economy”. Such a system uses existing resources, rather than money, to provide an equitable method of distribution in the most humane and efficient manner. It is a system in which all goods and services are available to everyone without the use of money, credits, barter, or any other form of debt or servitude.
Fresco argues that the world is rich in natural resources and energy and that, with modern technology and judicious efficiency, the needs of the global population can be met with abundance, while at the same time removing the current limits of what is deemed possible because of notions of economic viability.

Fresco provides an example of this confusion in the following quote: “At the beginning of World War II the U.S. had a mere 600 or so first-class fighting aircraft. We rapidly overcame this short supply by turning out more than 90,000 planes a year. The question at the start of World War II was: Do we have enough funds to produce the required implements of war? The answer was No, we did not have enough money, nor did we have enough gold; but we did have more than enough resources. It was the available resources that enabled the US to achieve the high production and efficiency required to win the war. Unfortunately this is only considered in times of war.”[13]

Fresco states that for this to work, all of Earth’s resources must be held as the common heritage of all people and not just a select few; and the practice of rationing resources through monetary methods is irrelevant and counter-productive to the survival of human civilization.

The Venus Project was featured prominently in the 2008 documentary film Zeitgeist: Addendum, as a possible solution to the global problems explained in the first film and first half of the second film.
Following the movie, an organization called the Zeitgeist Movement was established to promote the aims of the Venus Project.
JOIN THE VENUS PROJECT HERE; ( http://www.thevenusproject.com/en/get-involved/global-activism-teams )

On Sustainable Cities;

A sustainable city, or eco-city is a city designed with consideration of environmental impact, inhabited by people dedicated to minimization of required inputs of energy, water and food, and waste output of heat, air pollution – CO2, methane, and water pollution.
A sustainable city can feed itself with minimal reliance on the surrounding countryside, and power itself with renewable sources of energy. The crux of this is to create the smallest possible ecological footprint, and to produce the lowest quantity of pollution possible, to efficiently use land; compost used materials, recycle it or convert waste-to-energy, and thus the city’s overall contribution to climate change will be minimal, if such practices are adhered to.

It is estimated that around 50%[2011] of the world’s population now lives in cities and urban areas. These large communities provide both challenges and opportunities for environmentally conscious developers. In order to make them more sustainable, building design and practice, as well as perception and lifestyle must adopt sustainability thinking.


On Permaculture;

Permaculture is an approach to designing human settlements and agricultural systems that are modeled on the relationships found in natural ecologies.
The ecological processes of plants, animals, their nutrient cycles, climatic factors and weather cycles are all part of the picture. Inhabitants’ needs are provided for using proven technologies for food, energy, shelter and infrastructure. Elements in a system are viewed in relationship to other elements, where the outputs of one element become the inputs of another.
Within a Permaculture system, work is minimized, “wastes” become resources, productivity and yields increase, and environments are restored.
Permaculture principles can be applied to any environment, at any scale from dense urban settlements to individual homes, from farms to entire regions.
While originating as an agro-ecological design theory, permaculture has developed a large international following. This “permaculture community” continues to expand on the original ideas, integrating a range of ideas of alternative culture, through a network of publications, permaculture gardens, intentional communities, training programs, and internet forums. In this way, permaculture has become a form of architecture of nature and ecology as well as an informal institution of alternative social ideals.

Happy Eostre ~

Equal Day and Equal Night, Ostara’s circle brings the Light,
Eostre’s celestial satellite singing, of Spring’s beginning and new life bringing.

Farewell to the Winter whose dark days were drawing,
As Stars blinked in wonder and the cold winds were falling,
To your secrets of Silence and of Snow gently calling,
Farewell to your slower-time of fireside dreams and sleep Yawing.

We drank the cup of your deepness, as Earth in your Shadow..
We tended goat sheep and cattle, kept flame as fields fallow.

Now, calls the Guardian of all growing things, tender and tall,
Now the veil rises, opening the new magic to all.
And as your sacred Hare paints the egg under the Infinite Tree,
We awaken refreshed to set your spring delight free.

Welcome Now then, to the sun bright and subtle,
As your warmth shimmers lightly, unfolding seeds all a-futtle,
With your Green-blood, our Red-blood, in the dance of your rhythm,
As bird breeze and bee quicken your message and mission.

Welcome to the creatures of the life-tide arising,
Under the blueness of blue-sky, beside the fast fox surprising.
Now to give thanks, for your Life Song deep and high,
We call out loud as a flower, from our hearts to the sky!

Come one and come all to this Mystery Renewed,
For the Lord of the Dance soon among us imbued,
And to you who make fertile the Earth and her Children,
For your Geomancic ways of the Sun Moon and Whirtle,

We give thanks for your blessings, and to our bright kindred three,
Our Rite here at an end, Happy Eostre to Thee !

Original Poem c. Celestial Elf

Very grateful thanks to Lisa Thiel for personally granting me permission
to use her beautiful song for this machinima film,
Ostara Song (c) 2005 Lisa Thiel via Sacred Dream .com
( http://www.sacreddream.com/ )

………………………………………..

The March equinox will occur on March 20 in 2011,
marking the beginning of Spring in the northern hemisphere and fall (Autumn) in the southern hemisphere.
The word “equinox” derives from the Latin words meaning “equal night” and refers to the time when the sun crosses the equator. At such times, day and night are everywhere of nearly equal length everywhere in the world.

Marking the end of Winter and the first day of Spring.
The Earth is becoming green and birds are beginning to sing, Trees are in bud, foals and calves are being born, and early summer crops are sprouting or ready to be planted…

Some Pagans now call this first day of Spring, this Vernal Equinox, Ostara.
It is a day for all to celebrate longer daylight hours, returning warmth and the start of planting.
Ostara is sacred to Eostre the Ancient Goddess of fertility,
(from whence we get the word estrogen)
Her two symbols were the Cosmic Egg and the Mad March Hare, latterly abducted and morphed into the Easter rabbit.
The myth of the Mad, Moon Gazing Hare reflects ancient beliefs that seeing a moon gazing hare would bring growth, re-birth, abundance, new-beginnings and good fortune.
The Hare however, as the symbol of Eostre, also represents fertility and fecundity.
In other words, the hare is the symbol of the rebirth of life under the new Spring. The Egg is also the most basic symbol of rebirth, renewal, and new growth.

Happy Eostre to You ~

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