Posts Tagged ‘Eternity’

The Juggler’s Song

The Juggler’s Song;
Gather round friends and I’ll weave your Soul a Song
A luminous journey that wont last very long
Its a difficult game , you might forget your name,
I’ll juggle with delight, let the mysteries explain….

The physical physical ball is shining blue and mostly green
Wrapped in Awareness, Brighter than a Dream
I call it Earth, the Ark of Home and of the Heart
The magic of the growing things, reborn and growing start.

At First were added Stars and Eyes, the Gift of Dancing Light
A body with no name, rolling in primordial night,
By charm and incantation, teaching tongues that never fain
Learning lightness of the Air, whispered silence of refrain.

Understanding is the Second, as it flairs bright red in you,
Reconciling Strangeness, unravels all you ever said and do.
I call forth Fire and Truth Transcending Tempest Torn,
A gift for All who wonder, now your smiling not forlorn.

At First was added motion, to no thing a stagnant plight,
I’ll pretend to be a Human, Skydancer of the Light.
By the eye that never fails but falling rises through the sky,
Calling with a voice of gladness now I offer to those who fly…

The Third is blessed with Insight, a ball imbued in only blue,
riding tides of the emotion, dizzy deepness within you.
I call it Water, and watch in laughter as it flows,
You cannot grasp it tho you try, yet follow where it goes….

At First we spoke of Three, the magic power contained in thee
Clothed in Substance, Space and Matter and No Matter -Infinity
By following the Spheres along open paths Pertuity
Aright Ethereal Ethers and Ancient powers cross thresholds Three

The last little ball, look through mind’s I to see,
Attired like a Dragon, in All you shall Ever Be.
I call it Air, by which enchantment I set your spirit free,
The secret of this song, Eternities Harmony.

c. Celestial Elf 2012

Poem inspired by The Incredible String Band ‘Juggler’s Song’.

Symbolism of The Juggler;

The Greek words for Juggler also referred to Wonder Workers, Wizards and Conjurers, and were allied to ‘Magos’ which referred to the Magicians who came from India and China. During the Middle Ages and the Renaissance, from the time of Roger Bacon (13th century) to the semi-legendary Doctor Johannes Faustus (1480-1540), the Conjurer was a figure of fear and ridicule, respect and suspicion, suspected of tampering with forbidden powers. The Conjurer-Juggler became the Sorcerer who invokes and controls Elemental powers. (Journal of Popular Culture)

The Ancient Mystics believed that truth was less likely to be obscured if it was passed on in the form of symbols. Therefore the 78 cards in Tarot decks contain many symbols and characters. The 22 Trump cards are meant to depict the stages of evolution, the four suits; Discs, Wands, Cups and Swords – depict the relative aspects of consciousness.
The Juggler was most commonly referred to in Tarot as ‘Le Batleur‘ the bearer of the Wand (energy sent forth). In later versions of the first known deck, the Visconte Sforza deck, Le Batleur became known as the Magician or Juggler. Some associate him with Hermes Trismegistus, a combination of Hermes and of Thoth, a god of the moon, knowledge, and writing. In this aspect The Magician guides The Fool through the first step out of the cave of ignorance into the light of consciousness (Juggler’s World) .The Magical Juggler here invokes the forces of nature outside of time and so reveals the spiritual infinity within all things.

The Four Signs; Earth Water Fire Air –

Druids state that all life is made of the four Elements of Earth, Fire, Water and Air, without which life could not exist. The Four Elements deeply influence our personalities and lives at a physical as well as metaphysical level. They are made up of Etheric substances having certain qualities, natures, and purposes that are unique to their particular element and are also considered to be living entities (sometimes resembling humans) inhabiting a world of their own.
Known to many cultures, particularly the Greeks and Romans from whom we get our names for them. In Greek ‘Gnoma’ (Gnomes) meant knowledge or the knowing ones, ‘Silphe’ (sylph) was a butterfly or being with gauzy wings. The ‘Salambe’ (Salamander) is like a Dragon. (Magical Elements)
These four Elements correspond to the Four Directions of our physical world, the Four Quarters of the Universe, the Four Winds, and the Four quarters of a magical Circle. Earth and Water are considered female energies; Fire and Air are male.

The Earth as a feminine and fertile ball of life, embodies the Circle of the Year. All aspects of life take place within and upon the Earth: birth, life, death, change and rebirth. In Tarot readings, the Earth is related to the suit of Disks, Coins or Pentacles. Its color is clear dark green.
The Element of Earth rules the Northern quarter of the Circle and oversees the Brownies, Dwarves, Dryads, Gnomes and Hamadryads.

Fire is a purifying, masculine energy which both creates and destroys, bringing about new life or destroying the old and as such is a perfect metaphor for Understanding. Tan or Teine in the old Celtic language, was considered the most sacred Element because it is the closest to pure energy. In Tarot, Fire is connected to the Wand suit. For color correspondences, use red and orange.
The Element of Fire governs the Southern quarter of the Circle and oversees Salamanders, Drakes and Dragons.

Water is a powerful feminine energy connected with the Goddess and used for healing, cleansing, and purification. Water is also associated with the powers of Emotion and of the Unconscious mind. In Tarot Water is represented by the Chalice, Cup, Bowl, and Cauldron cards. Its color is pure blue.
The Element of Water governs the Western quarter of the Circle and oversees Nymphs, Undines, Mer-people, and the Spirits of Springs, Lakes and Rivers.

Air is always free, yet links everything to everything else. Associated with words and language, Air Element represents the Mind and is here a metaphor for knowledge. In Tarot, Air is expressed by The Swords. Its color is pure yellow.
The Element of Air governs the Eastern quarter of the Circle and oversees the Elves or Sylphs, Nature Spirits and Fairies.

Creating a Magical Pentacle, there is a fifth Element, The Element of Spirit (‘Nyu’ to the Druids), which dominates the center of the Circle, balancing all the other Elements.

On the Unusual Order of The Jugglers Elements;
The order used in this song and film is derived from the Phoenician roots of the Scandinavian Runic symbols, which indicate first, the leaving of linear time, and second the merging or entering of the metaphysical realm. I have used this order to signal the songs intention. (The Meaning of Myth)

Of The Powers of Three;
The Triad a defining characteristic of Celtic religion and mythology, is a symbol of Universal significance – it is found throughout history and all over the world and can be interpreted in many different senses: Spirit/Mind/Body in a Circle of synthesis; Past/Present/Future enclosed in the ring of Eternity; Art/Science/Religion bound in a Circle of culture.

From the Druid or Celtic Shamanistic viewpoint the number three represents the different views one might develop following an initiation ceremony. Celtic Shamans believed that they could see the present, past and future – their vision of the world was complete and trustworthy. The Shaman often saw himself as a man standing in three different worlds at the same time. In this way, his judgments, decisions and advice were imbued with greater insight and awareness.

Bright Blessings ~

The Tree of Life…

The Tree holds an important place in many ‘Nature~Al’ perspectives of the world, from ancient spiritual & psychological symbolisms of life, wisdom and friendship,
to modern environmental awarenesses that champion the need for a more holistic relationship with the delicately balanced eco systems of the earth our home.

As The Cosmic or World Tree touches the ‘Three Worlds’ of sky, earth & underworld, it thereby links them symbolically & psychologically provides an Axis Mundi or Center of the world, by uniting these realms enabling travel and communication between them.

As The Tree of Life, It also represents both a feminine symbol, bearing sustenance; and a masculine, phallic symbol.
In addition, The Tree of Life represents Eternal Life, because of its ever-expanding branches and because of its seemingly endless cycle of regrowth from seed to towering tree and so on…

Of Magic Trees, some have the ability to speak to certain individuals, usually those gifted with divination.
In particular The Druids were said to be able to consult Oak trees for such divinatory purposes,
(the Christian Bible stories also reference a talking Bush to the visionary Moses)

Such Trees have carried great significance across various world faiths,
including The Yggdrasil or World Ash where, in Norse mythology, Odin discovered wisdom and understanding,
& The Bodhi Tree under which Gautama Siddhartha, the Buddha found enlightenment.
For the Babylonians, The Tree of Life had a magical fruit which could only be picked by the Gods and dire consequences befell any mere mortal who dared to pick them.
Whilst this Babylonian prohibitive/punitive Tree has apparently found its way into the Judeo-Christian legend of Adam and Eve…
In the esoteric Jewish tradition of Kabbalah, the Tree of Life is a mystical symbol used to describe ‘The’ path to ‘God’.

Across cultures and traditions then we see that The Sacred Tree holds an important place in the minds and hearts of mankind, from the purely practical applications of fruit and resources, to the deeply symbolic and spiritual language of interconnectivity and harmonic interdependence, the Tree serves and embodies many significant functions which furnish our lives and spirit’s.

* * * *

The ‘Celtic’ Tree of Life (known in Ireland as the ‘crann bethadh‘) was central to the Celtic tribal life,
they always left a great tree in the middle of any new settlement which demonstrated the integrity of their Celtic traditions.

This Tree of Life represents the wheel of life as witnessed in the cycle of life, death and rebirth (‘rebirth’ in Tir Na Nog the Celtic Afterlife, the Land of Eternal Youth), as well as the Celtic theme of three worlds, that of the upper for Gods, the middle for our physical plane, and the lower as the realm of the fey or faeries (often housed below underground mounds or fairy hills). This symbolism is depicted by the branches that reach to the heavens, the trunk or body in the center, and the roots below, specifically showing that all stages and aspects of life are intrinsically connected through nature.
The Germanic peoples who also worshiped their deities in open forest clearings and believed that a sky god was particularly connected with the oak tree, similarly employed a central tree in their tribal settlements.
All trees in the Celtic perspective have specific powers or serve as the home of fairies or spirits, especially the magical trio of Oak, Ash, and Thorn.
That Chieftains were inaugurated under these Sacred trees with their roots stretching down to the lower world and branches reaching to the upper world, ceremonially endowed them with the magical powers of both the underworld and of the heavens.

Of the many realms that may be reached via these sacred trees,
Legends of the Norse World Tree Yggdrasil (pronounced ig.dre.sil) ((called Irminsul in Germanic mythologies)) describe that around it exist nine worlds.
Yggdrasill is an immense Ash Tree; Ygg’s {Odin’s} horse, was so named because of the notion of the ‘tree’ as the ‘horse’ of the
‘hanged’ on which Odin hung during his self sacrifice for knowledge as described in the Poetic Edda poem Havamal & was often represented by a Cross or a Gallows, however as death did not cary the same finality or distress of modern religious and secular perspectives, these symbols indicated the doorways of change.
The Aesir (Norse gods) go to Yggdrasil daily to hold their courts because the branches of Yggdrasil extend into the heavens, and because the tree is supported by the three roots that reach the Three times…;
Through these paths they could interact with the various realms including the magical sacred creatures that live within Yggdrasil, such as the Wyrm or Dragon, the Eagle, and the Sacred Stag.
The notion of an Eagle sitting on top of the sacred Tree and the World Serpent coiled around its base also has parallels in other cosmologies from Asia, and thereby may be seen to hold psychological significance beyond any narrow micro cultures specific meanings.

Writing of its Shamanic origins Hilda Ellis Davidson comments that the existence of nine worlds around Yggdrasil is mentioned more than once in Old Norse sources, but the identity of the worlds is never stated outright…and speculates that the nine worlds could either exist one above the other or perhaps be grouped around the tree, while the gods are pictured as in the sky, using a Rainbow Bridge (Bifrost) connecting the Tree with the Other Worlds.

* * * *

Of the Christmas Tree..
When the Roman Christian Church decided on a date to celebrate Christ’s birth,
they chose the day of the Pagan Winter Solstice because this was already firmly fixed in the minds of the people,
they thus sought to ‘Christianise’ existing festivals and so both overthrow earlier traditions whilst maintaining the rituals that gave meaning to the indigenous peoples lives.

Some accounts place the earliest Christmas trees in Tallinn capital of Estonia and Riga capital of Latvia,
(both of which resisted Christianity longer than any other European nation and so point towards an earlier Pagan tradition).
The custom of erecting a Pine Tree specifically to celebrate Christmas can more precisely be traced to 16th century Germany, as Ingeborg Weber-Kellermann (Marburg professor of European ethnology) reports of a Bremen guild chronicle of 1570 which states that a Fir Tree was decorated with apples, nuts and paper flowers, & set up for the guild members children to collect the treats on Christmas Day.

By the early 18thC use of Christmas Tree’s had become common in the upper Rhineland of Germany,
but was still regarded as a Protestant custom by the Roman Catholic majority throughout wider Europe.
Robert Chambers in his Book of Days (1832 )asserts that the festivities of Christmas
“originally derived from the Roman Saturnalia, had afterwards been intermingled with the ceremonies observed by the British Druids at the period of winter-solstice, and at a subsequent period became incorporated with the grim mythology of the ancient Saxons“.
However, just as Christmas was established (approximately) over the earlier Pagan Winter Solstice,
so the Christmas Tree was eventually accepted by the Roman Catholic Church as part of the seasons regalia, because it could not prevent its use.
In the early 19thC the custom became popular among the nobility and spread to royal courts as far as Russia.

In Great Britain, the Christmas tree was introduced by George III’s Queen Charlotte of Mecklenburg-Strelitz in early 1800’s,
but the custom hadn’t spread much beyond the royal family.
After Queen Victoria’s marriage to her German cousin Prince Albert in 1840, the custom became more popular throughout Great Britain as people emulated the much admired and ‘ideal’ role model family.

* * * *

Regarding the addition of lights and decoration to these Festival Tree’s;
Whilst dried apple’s may have been tied to the Tree as an offering to The Mother Goddess in the hopes of being gifted more fruit in the coming summer,
& Candles may have been lit upon it to represent and summon the return of the (Father’s) Summer Sun
The placing of candles and lights on the Tree also invited and gave home to the associated spirits and faeries that otherwise would be abandoned outside to the hash northern winters.
In this view then, the ancient traditions of decorating and sacralizing a celebratory Tree survives because it meets basic needs outside of our intellectual rationalizations of their purposes,
perhaps embracing deeper psychological or spiritual needs,
But certainly and not least of all….
because we enjoy them.

And in this the blessing of our Nature~Al spirit shines through.

_/\_

Summers End & All Hallows Eve


The most magical night of the year,
All Hallow’s Eve is more important than All Hallows Day itself.
The Celts called this time Samhain (pronounced Sow-in), which means ‘summer’s end’ and this marked the end of the Old and Beginning of the New Year for the Ancient people, as the New day begins at dawn, so the Ancient New Year begins at the darkest time, the turning point.
(The Christian clergy later co-opted Samhain not as a feast for All the dead, but only those hallowed (made holy) by obedience to God – thus creating All Hallow’s Day.)

The Celts were a pastoral people and the end of Summer was significant to them because it was the time of year when their lives changed, the cattle were brought down from summer pastures in the hills and the people gathered into the communal halls for the long winter nights of story-telling, which held a very important role in earlier times….
To commemorate Samhain, the Druids built huge bonfires (from bone-fires ) where the people gathered to honour their deities with burned offerings of crop and creature.
During these celebrations they wore costumes of animal masks, horns & skins.
When the celebration was over they would re-light their home fires from the sacred bonfires as this consecrated fire would protect them during the coming colds and dark of winter.

In the Celtic belief system such turning points as the turning of one year into another, as well as the time between one day and the next, the meeting of sea & shore, were considered as very magical times.
The turning of the year was the most powerful of these times.
This was the time when the ‘Veil Between Worlds’ was at its thinnest.
They also believed that when their beloved people died, they went to a land of eternal youth and happiness called ‘Tir Nan Og’.
At this time they held aFeast for the Dead, as it was believed the dead could return to this land of the living for just one night, to celebrate with their family, tribe, or clan. Thus the great burial mounds were opened up, with lighted torches lining the walls, so the dead could find their way & extra places set at the table for any who had died that year.

The dead were sometimes believed to be dwelling with the Fairy Folk, who lived in the fairy mounds or Sidhe (pronounced Shee) that dotted the countryside.
The Celts did not have demons & devils in their belief system, nor the concept of heaven and hell that the Christian church introduced.
The fairies however, were considered potentially hostile & dangerous to humans because men had taken over their lands.
On this night then, they might trick humans into becoming lost in the ‘fairy mounds’, where they could be trapped forever.
This would seem to be the origin of ‘Trick-Or-Treating’ & possibly of the ‘Jack-O-Lantern’ as well, which was used by people who traveled this night to frighten away spirits or faeries who might otherwise lead one astray.
Set on porches and in windows, the Jack-O-Lantern cast the same spell of protection over the household.
An offering (often food or milk) was left out for the fairies and spirits on the steps of the house or hall, so the homeowner or clan could gain the blessings of the ‘good folk’ for the coming year.

Such Halloween ‘Games’ as we have today clearly devolved from earlier rituals and beliefs..
Divination was practiced at Samhain and thought most likely to succeed at this time because the Ancient New Year’s Eve exists outside of normal time, as the cyclical order of the universe collapses before re-establishing a new cycle, and therefore may be used to view any other point in time.
Young women placed hazel nuts along the front of the fireplace, each to symbolize one of her suitors,
& to find their future husbands they might chant
‘If you love me, pop and fly;
if you hate me, burn and die.’
They might also peel an apple, making sure the peeling comes off in one long strand, reciting,
‘I pare this apple round and round again;
My sweetheart’s name to flourish on the plain:
I fling the unbroken paring o’er my head,
My sweetheart’s letter on the ground to read.’

Bobbing for Apples (sacred fruit to The Celtic people) evokes a Pagan baptism called a ‘Seining’ in which the water-filled tub is a Cauldron of Regeneration, into which the novice’s head is submerged.
That the participant in this game was blindfolded & with their hands tied behind their back also evokes an Ancient initiation ceremony.

There are often two Halloween/Samhain celebrations,
The First, a Halloween party for non-‘Pagan’ friends,
& The Second a more private Samhain gathering held on Halloween night,
At which invisible friends may be present…

.

Additional Thoughts on Ancient v Post-Modern/Quantumn ‘Time’


As to Time,
they take no note of it in Fairy Land.
The dwellers in Fairy Land have no cares about chronology.
With them there is no past or future, life is lived in an endless ever wondrous present.

Such Fairy Lands of Once Upon a Time are based on idealized myths and traditional morality tales
{see Bruno Bethleheim’s informative Study “The Uses Of Enchantment”}.
That they are set in an ethereal Nowness where anything may happen, is in fact a direct expression of Ancient Time perspectives, which, without modern mechanical chrono-meters involved a deeper openness to the unpredictable and unexplained in daily life.
Following the Sun yes, and the seasons, but also following the Heart and Intuition….

It is the same in the legends of the mysterious East, as old as the beginning of life and predating ‘formal’ religion;
The same in the glowing South, in the cathartic and anthropomorphic myths of ancient Greece;
the same in the fierce and frozen North, in the deep forests of Northern Europe and the Endless Steppes Central Eurasia
Myths and Fairy Tales are set in a time out of reach, an endless ever presence just beyond the boundaries of sight….

On the ‘surface’ we might think ‘modern’ “time” to be twice removed from such nebulous ephemera…
Now that we have established our security with Atomic Clocks and Immutable Measurements of Time.

But,
We also have the Ourubous of modernities scientific method, the unlikely offspring of applied reason, the sword too sharp for itself, the Remarkable insights of ‘Quantum Theory’
& suddenly ‘Randomnity’ seems quite respectable….

In quantum mechanics, time plays a role unlike any other observable.
We find that measuring whether an event happened, and measuring when an event happened are fundamentally different – the two measurements do not correspond to compatible observables and interfere with each other.
The temporal order of events is also an ambiguous concept in quantum mechanics. It is not always possible to determine whether one event lies in the future or past of another event.
One cannot measure whether one particle arrives to a particular location before or after another particle.”
(http://www.damtp.cam.ac.uk/user/jono/thesis.html)

This irregularity and the Particle Wave aspects of Time/Space as described by String Theory,
are more clearly understood by the Thought Experiment of Schroedingers Cat….
Schroedingers Cat You Tube Here
The essence of these discoveries results in a curious and curiouser cyclical rediscovery….
That ‘events only have their ‘reality’ based on the action of their observer,
Put another way,
We Create What We Observe By The Act Of Observing It…..
( i think the tree still booms when it falls in a forest tho, wether anyone is there or not haha, this passage refers to interactions in matter at a sub molecular-energistic level)
And Hey Presto,
though the work a day week may still be managed by clocks and news casts etc….
We are nevertheless launched with the blessings of High Science,
into The Inner Worlds, where Time really IS subjective,
and Anything really IS possible.

Blessed Be

_/\_

Autumn Equinox approaches….

As Autumn Calls
And Gold leaf Falls,
Our eyes Now Wide
That Stars donot Hide.

And SummersSun,
Has been and Gone
Left Flowers and Fruit
The Sacred Truth.

Of Cyclic Life
And Death And Change
And Endlessness
Of Natures Range.

And Now We Dance
Together All
Now Standing Bright
And Sharing All.

With Thanks For Thee & Thee & Thee
Our Dance We Call Eternity
And As Our Cycles Rise and Fall
With Joy We Cherish Infinity.

_/\_

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